Labels are for filing. Labels are for clothing. Labels are not for people.
Once you label me you negate me.
Ive tried to avoid labels, but they always find you.
Giving a phenomenon a label does not explain it.
They stick you with those names, those labels -- ‘rebel’ or whatever; whatever they like to use. Because they need a label; they need a name. They need something to put the price tag on the back of.
Those wearing Tolerance for a label call other views intolerable.
I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
Because with Black Label and all the fans it's just one big family.
Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.
In Washington, there's always an effort to label people.
The bungle tour is a bit up in the air due to the fact this at we are getting screwed by our overseas label.
Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
People from major labels were afraid to go to Black Flag gigs throughout most of the bands existence. They treated our gigs as something threatening. Im sure that it probably was. They probably had reasons to be scared.
With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.
There's artists that I'm working with on a new label of mine. Foxy Nova and Supa Nova.
If you're not on a major label today, you're not gonna get played. They've got the market sewed up.
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
Well, Eminem, you know, I know him longer. Ive been signed to his label since 2001 and hes a good friend.
Not everything I do is gossip or bedroom. To the contrary, I think that's just an easy label to dismiss me and to dismiss the new medium.
I'm developing artists for my new record label, my son's band, Intangible, being one of them.
Elton John's opinion turned the label's opinion around, all in a day.
Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.
Why do we pigeonhole and label an artist? It is a sure way of missing the important, the contradictory, the things that make him or her unique.
We put labels on people and fight wars over them. If we truly want harmony, we have to get past the labels.
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