How come liberals never admit that they're liberal? They've now come up with a new word called 'progressive,' which I thought was an insurance company but apparently it's a label.
My mother taught me something at a young age - she said 'you are the company you keep.' To define yourself by some label or some level of resources - that's pretty shallow.
I'm from Israel, so America has no limits. I started a record label, and then I started managing other artists, like Liza Minelli.
If your label won't let you have the cover you want or sing the songs you want, then leave!
My tenure in the Senate was really as an independent and whichever, regardless of party label.
I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
Steve Jobs was rare: a C.E.O. who actually had a huge impact on his company's fortunes. Contrary to corporate mythology, most C.E.O.s could be easily replaced, if not by your average Joe, then by your average executive vice-president. But Jobs genuinely earned the label of superstar.
The history of the Internet is, in part, a series of opportunities missed: the major record labels let Apple take over the digital-music business; Blockbuster refused to buy Netflix for a mere fifty million dollars; Excite turned down the chance to acquire Google for less than a million dollars.
I base a lot of decisions on my gut, and going with an independent label was a good one.
I've made sure that in any situation and with any record label, I'm allowed to write my own music.
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
I remember auditioning for record labels and having them tell me, 'Well, the country-radio demographic is the thirty-five-year-old female housewife. Give us a song that relates to the thirty-five-year-old female, and we'll talk.'
When I was a child, my behavior was far from being what most people would label 'intelligent.' It was often limited, repetitive and anti-social. I could not do many of the things that most people take for granted, such as looking someone in the eye or deciphering a person's body language, and only acquired these skills with much effort over time.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
I know it is common nowadays for artists to start labels but this is a thoroughly constructed vehicle for inspired talent. This is a market that we've been living, breathing and eating for our entire lives - one where a huge void currently exists. Favored Nations is a long-term commitment.
Okay, let's talk about cartoon labels for half a second - some people think anything with a dog or a car or a colorful alien is garbage, which is not true. Look at Big Moose Red. It's, like, a $6 wine with a cheesy label, and it's actually a solid wine.
I can't say I'm one way or the other because I've honestly fallen in love with a man and I've honestly fallen in love with a woman. I don't know how you label that, it's just how it is.
All I'd wanted for so long was for someone to explain everything that had happened to me in this same way. To label it neatly on a page: this leads to this leads to this.
As a lobbyist he had long ago concluded there was no difference in how Democrats and Republicans conducted the business of government. The game stayed the same: It was always about favors and friends, and who controlled the dough. Party labels were merely a way to keep track of the teams; issues were mostly smoke and vaudeville. Nobody believed in anything except hanging on to power, whatever it took.
I do not think much of ages. People are people. What does it matter how old or young they are? It is a category, and I do not like categories. It is a sort of pigeonhole or a label.
I poke around in the pile, about to settle on some cod chowder, when Peeta holds out a can to me. “Here.” I take it, not knowing what to expect. The label reads LAMB STEW.
And I felt comfort. Finally. All I'd wanted for so long was for someone to explain everything that had happened to me in this same way. To label it neatly on a page: this leads to this leads to this. I knew, deep down, it was more complicated than that, but watching Jason, I was hopeful. He took the mess that was Macbeth and fixed it, and I had to wonder if he might, in some small way, be able to do the same for me. So I moved myself closer to him, and I'd been there ever since.
I’m “exceptional”- a democratic term used to avoid the damning labels of “gifted” and “deprived” (which used to mean “bright” and “retarded”) and as soon as “exceptional” begins to mean anything to anyone they’ll change it. The idea seems to be: use an expression as long as it doesn’t mean anything to anybody. “Exceptional” refers to both ends of the spectrum, so all my life I’ve been exceptional.
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