You know what you are actually in love with? Integrity. The impossible. The clean, consistent, reasonable, self-faithful, the all-of-one-style, like a work of art.
Even in dialogue, your own style rules your selection. Do not give yourself a blank check of this kind: 'I'll merely reproduce what I think a character like so-and-so would say.' You have to reproduce it in the way your literary premises dictate.
The writer who develops a beautiful style, but has nothing to say, represents a kind of arrested esthetic development; he is like a pianist who acquires a brilliant technique by playing finger-exercises, but never gives a concert.
Style is not an end in itself, it is only a means to an end - the means of telling a story.
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