Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.
Books choose their authors; the act of creation is not entirely a rational and conscious one.
A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.
Until you know who you are you can’t write.
When you write, you write out of your best self. Everything else drops away.
Whores and writers, Mahound. We are the people you can't forgive.
My horizon's have shrunk and I have only endings to write.
In the end, you write the book that grabs you by the throat and demands to be written.
Writers and politicians are natural rivals. Both groups try to make the world in their own images; they fight for the same territory.
The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
When I was writing The Satanic Verses, if you had asked me about the phenomenon that we all now know as radical Islam, I wouldn't have had much to say. As recently as the mid-1980s, it didn't seem to be a big deal.
When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.
If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.
I've never yet managed to write a novel which didn't have an Indian central character.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
One of the things a writer is for is to say the unsayable, speak the unspeakable and ask difficult questions.
In the experience of art, time seems not to exist. When I'm writing and think, "I've been working for two hours," I've actually been working for seven.
The PEN/Barbara Goldsmith Freedom to Write Award is a way of spotlighting individual cases. If you look at the history of the award, the freedom rate is very high: a very high percentage of people who receive those awards are freed in the next six months to a year. The only weapon there is attention, but interestingly it works.
In general, writers shouldn't be killed for what they write, though I can think of exceptions.
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
I make no complaint. I am a writer. I do not accept my condition; I will strive to change it; but I inhabit it, I am trying to learn from it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: