You know the Prince song where the girl's phone rings but she tells him, "whoever's calling couldn't be as cute as you?" I long to live out this moment in real life.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
Somtimes you lie in a strange room, in a strange person's home, and you feel yourself bending out of shape. Melting, touching something hot, something that warps you in drastic and probably irreversible ways you won't get to take stock of until its too late
In my headphones, I led a life of romance and incident and intrigue, none of which had anything to do with the world outside my Walkman.
One of Renee's friends asked her, "Does your boyfriend wear glasses?" She said, "No, he wears a Walkman.
We all get as miserable as Erika M. Andersen sometimes, but we rarely approach her musical-ideas-per-miserable-minute ratio.
Donna Summer would be remembered as a ground-breaking artist today even if she'd retired the day after she recorded 'I Feel Love' in 1977.
Thank you for the music, Sleater-Kinney. This gang of three was the best American punk rock band ever. Ever.
'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it.
Every American wants a clean slate, but nobody wants to lose what they've got.
You can't beat the beehive for glam punkette attitude.
One nice thing about growing up Catholic is it makes you open-minded about other people's religions, since ours is nuttier than yours.
Madonna was so flamboyant in terms of her look, her style, her public pronouncements, her religious taboo-smashing.
I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.
It takes only one bad amp to turn your ears to oatmeal: That's how old hippies became Yanni fans.
Ron Swanson is more than the MVP of the 'Parks and Recreation' squad, more than just the funniest character on TV - he's the perfect depiction of aggrieved American manhood at the twilight of the empire.
But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls,' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Ronnie Spector's hair was taller and meaner and scarier than all four Shangri-La's combined, plus the drummer from the Honeycombs. You just know her rat-tail comb was a switchblade.
It's kind of amazing how popular 'Grey's Anatomy' is. What other show can boast such an annoyingly sincere cast of doctors, sniveling through such perfunctory love triangles?
Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.
One of the best moments of any Liars show is hearing the crowd squawk 'We're doomed! We're doomed!' on cue during 'We Fenced Other Houses with the Bones of Our Own.' Maybe not the most uplifting audience sing-along in the indie rock world, but one of the most reliably entertaining.
Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: