Never, never mind your bleeding heart.
God, our world is so complicated.
I think that I'm always going to think that it's silly to value certain things that no matter how many people find it really valuable, it's always just going to seem a little silly to me.
All the monsters in your mind just want to be nice. They want to be kind. They want to play nice. They want to be softer than the storms around. You feel them through the windows and the doors.
When I walk through the city, I just think that I see my family. I see us in everybody, you know? I see us.
I think that so many people don't understand how easy it is to be broke, how easy it is to find yourself in a situation where you're in an absolutely foreign place.
It's painful to watch your parents not be in control of things.
I saw certain things that I think maybe other kids are protected from. Like, I saw my parents struggling. I knew that we were cutting out coupons and buying dented cans because they were cheaper. And all our furniture was from the garbage. It was just - and to me because I was a kid, all that stuff was really exciting.
I was a kid, and I was very excited to experience this whole new world. And everything was fun, everything from, oh, wow, we get bananas - I'd only seen them in picture books, you know - to, like, the diversity of the neighborhood and to explore Judaism for the first time. It was really hushed in the Soviet Union.
I'm much more into someone who is telling stories than somebody who is writing a record about their breakup. It's just more interesting for me.
When I think of my art tribe - you know, my peeps - there are certain people who are autobiographers that I really love. But for the most part, overwhelmingly, my tribes are the surrealists and the storytellers, in song and literature.
I'm much more drawn to fiction, to short stories, and to plays, than I am to diarists.
I have this obsession with the '80s because I missed all of it.
I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.
I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.
Art is arbitrary but it sort of reveals itself to be right or wrong anyway.
It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one."
You are always growing, so maybe the way that you bring the songs forward and translate them is more mature.
You can take art, you can have a baby, you can have a career.
I have to work hard and organize myself so that I'm present and not a slacker.
I am very close with my parents, they are very amazing, so loving, so cool, and really valued art.
There's something about trying to know when you really need to protect yourself, or else you're not going to get anything done, and sometimes to be really uncomfortable or agitated or annoyed or bored. Boredom is so important.
I think that you have to let yourself be agitated and annoyed and not be fully comfortable.
Part of you just has to be in service of processing things and getting them out.
As you get older as an animal on the planet, you want to get a little more comfortable, you want to get cozier.
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