One of the networks sent me a TV set to watch. I didn't care for the medium. It depressed me.
My sculpture is very personal; for years my subjects were family and close, close friends.
The Sennett system of making pictures was actually fun. You never knew what the person next to you was going to do.
I doubted that there were Communists hiding behind every corporation desk and director's chair.
By the time I was 15, my mother had turned me into a real clotheshorse.
The English press treated the world premiere of my first talking picture as a major event.
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