I followed the same diet for 20 years, eliminating starches, living on salads, lean meat, and small portions.
The Hollywood structure was monopolistic, run by four or five big studios.
I was going to live on my salary or go down swinging.
What a different world it was when I first sailed for Europe in 1930, with my mother, sister, and brother to spend six months abroad.
I needed to be accepted, not humored. I intended to act.
Day after day, I spent long afternoons in the talent pool, being told how to walk, how to talk, how to sit.
I was plunged into what was known as the debutante social whirl. This was one of the ways fathers justified their own hard work and sacrifices.
I ask myself: would I have been any worse off if I had stayed home or lived on a farm, and instead of shock treatments received rest and quiet and the good medication?
Throughout my career, I was to be cast as a frontier girl, an aristocrat, an Arabian, a Eurasian, a Polynesian, and a Chinese.
It was the fashion of the time, still is, to feel that all actors are neurotic, or they would not be actors.
I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.
I had no romantic interest in Gable. I considered him an older man.
I was not cut out to be a rebel.
I do not recall spending long hours in front of a mirror loving my reflection.
Rehearsals and screening rooms are often unreliable because they can't provide the chemistry between an audience and what appears on the stage or screen.
When I met Jack Kennedy, he was a serious young man with a dream. He was not a womanizer, not as I understood the term.
I never understood the theory, once popular among doctors, that blamed mental disorders on too little or too much mother love. My own mother was my darling.
In my early days in Hollywood I tried to be economical. I designed my own clothes, much to my mother's distress.
I remember the 1940s as a time when we were united in a way known only to that generation. We belonged to a common cause-the war.
In later years, during what might be called my gray-outs — when I was conscious but not myself — I craved foods that were almost always fattening.
Unlike the stage, I never found it helpful to be good in a bad movie.
I used up every cent I had earned as an actress.
Chaplin was notoriously strict with his sons and rarely gave them spending money.
For years it never occurred to me to question the judgment of those in charge at the studio.
I had known Cole Porter in Hollywood and New York, spent many a warm hour at his home, and met the talented and original people who were drawn to him.
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