If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
Culture is so much faster and so much more effective than anything else. If you go on a march, you march for a couple hours and it might be on the news that night, but if it happens culturally, it happens forever. Everywhere in the world, that TV show is being played. Someone is downloading it illegally. It's blowing someone else's mind. Culture marches so quickly, and it's a language we all understand.
There's something so free about being a fan and being enthusiastic about stuff - you attract all the other people who are also loving and enthusiastic when you're sending out signals of love. When you start to communicate cynicism and hatred, it leads you down a completely different path.
If anyone was going to write a song or, you know, or a book, or make a film about a girl like me, it was going to have to be a girl like me, and quite literally, me.
I had given up on being beautiful. But I thought I could kind of inspire boys to write songs about me. So I became a music journalist at the age of 16.
You just wanted to be normal. It wasn't even being beautiful. I just wanted to be smooth and thin and have, and you know, have beautiful glossy hair and lovely clothes and be able to walk in heels. And I thought that once I did all of that stuff that my life would begin.
I think loads of women have this idea that their life is going to start at some point, once they've busted all these problems of being a woman, once we're thin and we're pretty and we've got all of our clothes and stuff, that's when our life will begin. And you meet people at 48 who are still thinking that, and 58.
It's just a horrible thing to keep saying to a woman, do you want a baby inside you? I mean, it's creepy.
I was brought up in the '80s. I was born in 1975. So by the time I got to 10 and I kind of knew that I probably was going to have to be a grown-up lady at some point, the feminine role models that I had were kind of the cast of "Dynasty" and "Dallas." And I just found that terrifying.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
To say that you have to carry to term and look after a child for the rest of your life is to say I force you, legally, to love someone. It's like saying, you know, you have to go and love another - you have to go - you know, you have to go marry someone. It's like an arranged marriage.
The word spinster tells you everything that you need to know about our attitude of women who choose not to marry, yes.
Just proportionately, statistically, one in three women are going to have an abortion. They're not all going to feel guilty.
I think it's a really important thing for women to be able to just put their hands up and go, I can't actually do any more.
The sort of the template of being a mother is that you're endlessly giving to the point of exhaustion. You know, that's amazing if you can do that, but for that to be seen as the norm of motherhood, that women are always supposed to give until they're exhausted, you know, to always take on all these burdens - and it's why I'm so, you know, in favor of protecting all of the abortion legislation we've got, to give women the right to go, I can't do that. I can't do it. I'm too tired.
If you are lying down to give birth, gravity is not helping you. You know, you stand up and, you know, a baby will basically kind of fall out of you, if you keep walking 'round.
I was brought up in a kind of, you know, very hippie, liberal family. And it was just always automatically assumed that men and women were equal and indeed superior.
When you've got a mother who's given birth to eight children, you know, often without any kind of medical intervention - just she gave birth to one of my brothers sort of on the bedroom floor in front of all of us -you know, you see that women are fairly capable.
You are educated equally to boys. You're expected to go into equal employment with boys. In a marriage, you are legally equal. So, you know, you cannot deny we live in a feminist world.
It's actually technically impossible for a woman to argue against feminism. Without feminism, you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor, biting down on a wooden spoon so as not to disturb the men's card game, before going back to hoeing the rutabaga field.
Women are feminist by default.
We need to reclaim the word feminism. We need to reclaim the word feminism real bad.
When you talk to a young teenage girl, they're just full of self-loathing. The reason they feel self-loathing is they don't feel normal. It is a world that has not been built for them. It's been built for men, and that's why they feel bad.
If you do it properly, life is art, really.
I always give three pieces of advice to all the teenage girls when I do my talks: long country walks - it's important to get some fresh air in your lungs, and be in contact with your body; masturbation - it takes the edge off, it'll get you through; and the revolution - believing in changing the world.
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