I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.
I learned what every dreaming child needs to know, that no horizon is so far you cannot get above it or beyond it.
Africa is mystic; it is wild; it is a sweltering inferno; it is a photographer's paradise, a hunter's Valhalla, an escapist's Utopia. It is what you will, and it withstands all interpretations. It is the last vestige of a dead world or the cradle of a shiny new one. To a lot of people, as to myself, it is just 'home'. It is all these things but one thing - it is never dull.
A life has to move or it stagnates. Even this life, I think. Every tomorrow ought not to resemble every yesterday.
If a man has any greatness in him, it comes to light, not in one flamboyant hour, but in the ledger of his daily work.
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt.
You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents - each man to see what the other looked like.
I have lifted my plane . . . for perhaps a thousand flights and I have never felt her wheels glide from the Earth into the air without knowing the uncertainty and the exhilaration of first-born adventure.
A word grows to a thought – a thought to an idea – an idea to an act. The change is slow, and the Present is a sluggish traveler loafing in the path Tomorrow wants to take.
After that, work and hope. But never hope more than you work
Africa is never the same to anyone who leaves it and returns again. It is not a land of change, but it is a land of moods and its moods are numberless. It is not fickle, but because it has mothered not only men, but races, and cradles not only cities, but civilizations - and seen them die, and seen new ones born again - Africa can be dispassionate, indifferent, warm, or cynical, replete with the weariness of too much wisdom.
I have learned that if you must leave a place that you have lived in and loved and where all your yesterdays are burried deep-leave it anyway except a slow way, leave it the fastest way you can.
The way to find a needle in a haystack is to sit down.
Success breeds confidence.
A lovely horse is always an experience.... It is an emotional experience of the kind that is spoiled by words.
A map says to you. Read me carefully, follow me closely, doubt me not... I am the earth in the palm of your hand.
The world grows bigger as the light leaves it. There are no boundaries and no landmarks. The trees and the rocks and the anthills begin to disappear, one by one, whisked away under the magical cloak of evening.
I know animals more gallant than the African warthog, but none more courageous. He is the peasant of the plains - the drab and dowdy digger in the earth. He is the uncomely but intrepid defender of family, home, and bourgeois convention, and he will fight anything of any size that intrudes upon his smug existence. ... His eyes are small and lightless and capable of but one expression - suspicion. What he does not understand, he suspects, and what he suspects, he fights.
Memory is a drug. Memory can hold you against your strength and against your will.
Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance. The cloud clears as you enter it. I have learned this, but like everyone, I learned it late.
We swung over the hills and over the town and back again, and I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know -- that no horizon is so far that you cannot get above it or beyond it.
If your hunch proves a good one, you were inspired; if it proves bad, you are guilty of yielding to thoughtless impulse.
But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.
There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.
That's what makes death so hard--unsatisfied curiosity
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