Art is polymorphic. A picture appears to each onlooker under a different guise.
Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
The painter thinks in terms of form and color. The goal is not to be concerned with the reconstitution of an anecdotal fact, but with constitution of a pictorial fact.
To work from nature is to improvise.
Whatever is valuable in painting is precisely what one is incapable of talking about.
I have made a great discovery. I no longer believe in anything.
To define a thing is to substitute the definition for the thing itself.
It is not sufficient that what one paints should be made visible. It must be made tangible.
The things that Picasso and I said to one another during those years will never be said again, and even if they were, no one would understand them anymore. It was like being roped together on a mountain.
When one reaches this state of harmony between things and one's self, one reaches a state of perfect freedom and peace-which makes everything possible and right. Life becomes perpetual revelation.
Never join an organization.
It is the unforeseeable that creates the event.
Truth exists, only falsehood has to be invented.
It is the limitation of means that determines style, gives rise to new forms and makes creativity possible.
The space between the dish and the pitcher, that I paint also.
I like the rule that corrects emotion.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
Critics should help people see for themselves; they should never try to define things, or impose their own explanations, though I admit that if... a critic's explanations serve to increase the general obscurity, that's all to the good.
Art is made to trouble but science reassures.
In art, progress lies not in an extension, but in a knowledge of limitations.
Once an object has been incorporated in a picture it accepts a new destiny.
Whatever is in common is true; but likeness is false.
I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same.
One day I noticed that I could go on working my art motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me.
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