To work from nature is to improvise.
Evidence exhausts the truth.
The things that Picasso and I said to one another during those years will never be said again, and even if they were, no one would understand them anymore. It was like being roped together on a mountain.
Art upsets, science reasures.
Whatever is valuable in painting is precisely what one is incapable of talking about.
The space between the dish and the pitcher, that I paint also.
I have made a great discovery. I no longer believe in anything.
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.
When one reaches this state of harmony between things and one's self, one reaches a state of perfect freedom and peace-which makes everything possible and right. Life becomes perpetual revelation.
It is not sufficient that what one paints should be made visible. It must be made tangible.
To define a thing is to substitute the definition for the thing itself.
Truth exists, only falsehood has to be invented.
Never join an organization.
It is the limitation of means that determines style, gives rise to new forms and makes creativity possible.
It is the unforeseeable that creates the event.
I like the rule that corrects emotion.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
Art is made to trouble but science reassures.
Critics should help people see for themselves; they should never try to define things, or impose their own explanations, though I admit that if... a critic's explanations serve to increase the general obscurity, that's all to the good.
In art, progress lies not in an extension, but in a knowledge of limitations.
Once an object has been incorporated in a picture it accepts a new destiny.
Whatever is in common is true; but likeness is false.
I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same.
Poetry is to a painting what life is to man.
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