Humour is God's special gift to humanity. Handy, because it turns out to be necessary.
Humour's the pay-off for all that existential horror.
Whatever you believe, you need faith to get through the day.
The notion that love is abroad in the world has shaped my life.
I grew up in a family that believed love was at work in the world. I guess that's a religious idea, though of course it needn't be.
The blank page doesn't bother me. It's the voice in my head (not always my own) that gives me the yips. It's worse when I'm not making stuff up.
I went to school for 12 years, and uni for four, but I learnt more about human existence in the 30 hours it took my first child to be born than I did in all those years of study.
What I'm saying so badly is we're bred now to believe we're in control and should be in control.
Life is wild by definition. And organic existence is violent. Though I find this hard to accept. And I know it goes against the cultural grain of therapeutic smoothing so dominant in what we like to call 'cultural discourse'.
I wanted to be a writer all my life. Since I was 10. And then at a certain point I began to assume I was one, which is rich, I know. I didn't meet a writer until I was nearly an adult, so I had no idea what I'd bet the farm on.
I've been a writer and a parent since adolescence, it feels like, and I'm still making both gigs up as I go along. I did both in different forms of isolation - too young by conventional standards, too far off-grid culturally and geographically. So my experience is probably too specific to be useful. None of us do this stuff the same way. We just try to endure and press on, I guess.
I never start with what lots of people think of as a subject or a theme. They're school words, not art words. So, writing essays busts my arse because the art is in addressing the subject. I find it really difficult and monstrously time-consuming. In an essay I need to employ my imagination but it's indentured in a way it's not when I'm free to make everything up.
I can't make something 'useful' to me in a writing sense for a very long time. I don't have any journalistic instinct. And I do keep a journal, but it's neither very revealing nor fruitful for work. Stuff just bubbles up from the swamp later.
In fiction 'issues' are accidental, sometimes incidental. The place and the people it creates are paramount.
I don't consciously watch and file lived moments for my work. I have a couple of writer friends who do that and it creeps me out, to be honest. I know people think I must do that too, but I don't. But I do have a long memory.
I guess it must be a time-of-life thing, looking back and trying to make some sense of who I am and where I've been. It's a weird thing, having to give an account of yourself, to try to make sense of yourself for yourself. I'm not that old, but I have been writing fiction professionally for a long time now. I started so young and went so hard for so long. And I guess it was about feeling I had the space to look over my shoulder.
We are all part of that global traffic and I think that the effort to make yourself understood and to be not a problem for anyone or to hide your own particuarly is a mistake. I think people will and do value individuality.
It is always amusing to me and delightful of course that my books sell so well in America and other parts of the world. I can't imagine what people must think as they read my books in Poland. Or in Hebrew and Greek. People are reading all the stories which are about bits of Western Australia.
For a while Australians were desperately trying to be cosmopolitan. I think it is a pointless exercise. Australian novels are those rooted in Australia, with Australian landscapes and colours. My work has always had bits of Western Australia in it. It is always here. The world comes to us.
People can make symbolic gestures but doesn't mean their life changes. One philanthropic moment doesn't make a life of renewal; of change.
We live in specific places. We are marked by a place.
Past tense offers authority, distance, and present tense offers emotional immediacy.
It is hard for me to speak of themes. I like the reader to do that. Otherwise it feels like writing a 3rd grade essay on someone else's work.
Different tenses and perspectives offer you different things. It helps to distinguish the world that they are in.
I eat green ants often enough. They are wonderful. The trick is to squash them before you eat them, otherwise they bite your tongue and it ruins the experience.
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