Self-awareness is probably overrated. A complex, self-regulating system doesn't need it in order to be successful, or even smart.
I would normally never set out to write a trilogy.
Gaia spins on, silently contemplating what it means to be born into a sarcastic universe.
Seldom does a storytelling talent come along as potent and fully mature as Mike Brotherton. His complex characters take you on a voyage that is both fiercely credible and astonishingly imaginative. This is Science Fiction.
Change is the very fabric of our time.
Beware of self-indulgence. The romance surrounding the writing profession carries several myths: that one must suffer in order to be creative; that one must be cantankerous and objectionable in order to be bright; that ego is paramount over skill; that one can rise to a level from which one can tell the reader to go to hell. These myths, if believed, can ruin you. If you believe you can make a living as a writer, you already have enough ego.
History and geology show what an eyeblink it's been since our current, comfortable culture came about. And yet that culture is using up absolutely everything at a ferocious rate.
The three basic material rights -- continuity, mutual obligation, and the pursuit of happiness.
But honestly, if you do a rigorous survey of my work, I'll bet you'll find that biology is a theme far more often than physical science.
My first duty to write a gripping yarn. Second is to convey credible characters who make you feel what they feel. Only third comes the idea.
Above all, TRIBES is fun, and even kind of sexy... in that every round features an Opportunity for Reproduction, which is the main aim of the game, as it is in most of Nature
Anyone who wants simple, pat stories should buy another author's product. The real universe ain't that way, and neither are my fictive ones.
One of the rules I try to follow is that normal people are going to be involved even in heroic events
I like to be surprised. Fresh implications and plot twists erupt as a story unfolds. Characters develop backgrounds, adding depth and feeling. Writing feels like exploring
Predicting has a spotty record in science fiction. I've had some failures. On the other hand, I also predicted the fall of the Berlin Wall and the rise of fundamentalist Islam... and I'm not happy to be right in all of those cases
The worst mistake of first contact, made throughout history by individuals on both sides of every new encounter, has been the unfortunate habit of making assumptions. It often proved fatal.
Fortunately, human beings are remarkably diverse models to work from
I find humans tremendously interesting
When I begin a book, I inevitably discover many things along the way, about the characters, their past histories and the political intrigues that surround them. This discovery process is vital, and I would not prejudice it by deciding too much in advance
In contrast, markets - oft mythologized as "natural" are the most unnatural things going. Libertarians will tell you "market laws are laws of nature", what baloney. Markets - and the other great modernist cornucopian tools - are magnificent wealth generating machines, built ad-hoc, through trial and error, constantly fine-tuned and refined, tinkered, adjusted.
All this talk of using tax policy to 'assess social costs'...what a dumb idea. The only way to stop polluters is to put them against walls and shoot them.
I hate the whole übermensch, superman temptation that pervades science fiction. I believe no protagonist should be so competent, so awe-inspiring, that a committee of 20 really hard-working, intelligent people couldn't do the same thing.
You don't have conversations with microprocessors. You tell them what to do, then helplessly watch the disaster when they take you literally!
Petals floating by, Drift through my woman's hand, As she remembers me.
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