I always feel I do it too slow, but then others do it faster.
We have to play it longer because there are no numbers or letters.
We do not know when he is coming. He is coming tomorrow.
It has no rhythm, but it will because it's so much faster.
I was trying to help you, so I was beating wrong.
If you don't have it in your part, leave it out, because there is enough missing already.
Even when you are not playing you are holding me back.
Suddenly I was in the right tempo - but it wasn't.
Start three bars before something.
He was listening so I don't remember.
Did you play? It sounded very good.
It is not together, but the ensemble is perfect.
Thank you for your cooperation and vice versa.
The next movement is still in the factory.
[conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way:] With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Let's start at 35 because I don't know where it is.
I can conduct better than I count.
Without him here, it is impossible to know how fast he will play it, approximately.
Bizet was a very young man when he composed this symphony, so play it softly.
I don't get into politics, general or musical, but just call me if you get jury duty. Even in New Jersey I was able to help somebody.
After two minutes after this time, and I am already there.
There is a number missing. I can see it.
Yes, the mutes are already on. You took them off in the beginning.
Death is an awful thing. I don't believe in it myself.
Congratulations to each and every one of you for the concert last night in New York and vice versa.
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