Start three bars before something.
Start at B. Yes. No. Yes. No.
This is one bar you should take home.
It's hot as hell as can be.
Watch me closely - only one can spoil it.
It's so legato it's difficult to splice. Sibelius was famous for that.
Did you play? It sounded very good.
It is not together, but the ensemble is perfect.
Don't think you are looking at me because you are not.
He was listening so I don't remember.
Im one of the boys, no better than the last second violinist. Im just the lucky one to be standing in the center, telling them how to play.
[conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way:] With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Thank you for your cooperation and vice versa.
I'm conducting slowly because I don't know the tempo.
That's the way it was every time I studied it.
It's difficult to remember when you haven't played it before.
I cannot give it to you, so try to watch me.
Brass, stay down all summer.
Long note? Yes. Make it seem short.
I need one more bass less.
More basses, because you are so far away.
I told him he'd have a heart attack a year ago, but unfortunately he lived a year longer.
The next movement is still in the factory.
Muti is going to do the Alpine Symphony this year. He will do it well because it is not very well known.
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