Eliminating the piano means that I've always worked closer with the bass than most players.
Occasionally, when I run into a great bass backstage at a festival I'll play a few notes on the low E string, just to feel the instrument vibrate against my belly.
I'm always interested in mixing technology and music. You know, maybe I'll have a MIDI bass pickup at some point, I don't really think that's the direction I would want to go.
Because Larry, by then, was a drummer, who would sort of get bored and tired, and rather stand up and blow kisses to people. So we needed the bass to sort of drive along.
So the whole basis for jazz music is based on the fact that the bass player could not play his instrument.
Being down in Orlando, Florida, where we filmed the movie, I learned how to bass fish. Jerry Reed, who plays the villain in the movie, taught me how to bass fish.
I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.
I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave 'em a bit of thigh.
The way I play, I go through a set in a year. So I put '58 Gibson Jumbo Bass frets on all my necks.
As I said, when we needed to move over to rock'n'roll, Sam and Vernon couldn't quite make the shift. So that's when Larry took over on drums, and we needed a bass player.
I love playing with Jeff. That's something I never really say in the press, but he's my favorite bass player. I've played right next to him for 10 years.
Now they have banging guitar and no bass and call it rock, but that's not what I call rock.
I like the guitar better these days. I like the bass, too, but it's hard to fit a bass amp in a small car.
The bass player's function, along with the drums, is to be the engine that drives the car... everything else is merely colours.
I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.
I actually met Chick Corea in New York, where I was staying with a bass player friend.
I came from an era when we didn't use electronic instruments. The bass wasn't even amplified. The sound was the sound you got.
I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.
In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.
I got heavily into the drum-and-bass scene, which is really wicked.
I really pay attention to the bass in the music I listen to, and that's what I tend to write toward.
No, but a cello is the perfect string bass for an accordion. Works with it beautifully.
I could tell it was a popular move as a writer to walk down the bass lines while you were writing a song.
So by the time I taught myself the bass guitar at the age of 14, my hands were already pretty nimble.
Jack Bruce, as soon as I saw him, it changed me. I didn't even know what bass players did until I saw Cream.
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