Tilda Swinton Quotes About Film

Quotes about: Film

• I've only ever gone into studio films with people I really like.

  Tilda Swinton

  People, Gone, Film

  Source: www.indielondon.co.uk

• The last time I did anything like this [special powers] was with the Narnia film with two swords, the same but different.

  Tilda Swinton

  Two, Special, Different

  Source: www.slashfilm.com

• We were very clear that this film's [Young Adam] so much about a relationship that's borne out through the sexual contact, and that that's the way they communicate.

  Tilda Swinton

  Way, Film, Adam

  Source: www.nerve.com

• When I say that it's taken us [with Luca Guadagnino ] 11 years to make this film, what I mean is that it was 11 years ago that we started to talk about a kind of cinema that we wanted to make together.

  Tilda Swinton

  Taken, Mean, Years

  Source: www.indielondon.co.uk

• This film [Doctor Strange] kind of takes that everyday boring reality and really bursts it wide. So we talked a lot about that. In many ways there's something very practical about this world, the Kamar-Taj. It's - You know, we all look like samurai warriors, but actually there are iPads everywhere and there's a feeling that it's a practical possibility for this modern world that the Doctor Strange universe is functioning, and that we know it and it's around the corner for all of us.

  Tilda Swinton

  Warrior, Reality, Doctors

  Source: www.slashfilm.com

• We also knew [ me and Ewan McGregor] that, on a practical level, if there was going to be that much sex in the film [Young Adam] - which there clearly had to be because sex is the meat and potatoes of the thing - it had to be varied for the audience, because it's important to keep the audience living in it.

  Tilda Swinton

  Sex, Important, Levels

  Source: www.nerve.com

• I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.

  Tilda Swinton

  Encouragement, Believe, Thinking

  Source: www.indielondon.co.uk

• One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.

  Tilda Swinton

  Art, Different, Thanks

  "Doctor Strange: Tilda Swinton Discusses Immortality & Sourcing Marvel Comics". Interview with Rob Keyes, screenrant.com. September 28, 2016.

• I have no problems with the NC-17 rating. I want more NC-17 films. More adult cinema!

  Tilda Swinton

  Cinema, Want, Adults

  Source: www.nerve.com

• George [Clooney] and I do have the aim one day to be in a film where we say one nice thing to each other. Hopefully one day.

  Tilda Swinton

  Nice, One Day, Film

• There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.

  Tilda Swinton

  Believe, Writing, Black And White

  Source: www.indielondon.co.uk

• Well you know, the comic strip [Doctor Strange]... yeah, was an Asian man, in fact, a very ancient Tibetan man living on the top of a mountain. The film script that I was given wasn't an Asian man, so I wasn't asked to play an Asian man - I was asked to play an ancient Celtic person.

  Tilda Swinton

  Men, Doctors, Play

  Source: southernbellasways.com

• One of the things about Derek Jarman was that he was a painter who worked alone when he painted, but I firmly believe that one of the reasons he made films was for the company. He made filmmakers of all of us, that's the truth. I don't mean he necessarily made directors, but he made us filmmakers. Because we lived in a state of mutual responsibility for what we made.

  Tilda Swinton

  Believe, Mean, Responsibility

  Source: www.nerve.com

• I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.

  Tilda Swinton

  Thinking, People, Example

  Source: www.indielondon.co.uk

• I think that a real film fan experience is about a kind of omnivorous experience.

  Tilda Swinton

  Real, Thinking, Fans

  Source: www.indielondon.co.uk

• This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less.

  Tilda Swinton

  Way, Film, Complicated

  Source: www.nerve.com

• Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.

  Tilda Swinton

  Responsibility, Stuff, Want

  Source: www.nerve.com

• I think that both Luca [ Guadagnino]and I have a kind of resistance to the idea of a film holding a moral message because that would exclude so many people from feeling that it was their film and it's important for a piece of work to feel owned by every member of the audience.

  Tilda Swinton

  Thinking, Ideas, People

  Source: www.indielondon.co.uk

• I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.

  Tilda Swinton

  Art, Eye, Thinking

  Source: www.indielondon.co.uk

• [My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure.

  Tilda Swinton

  Adventure, Ideas, Next

  Source: www.nerve.com

• I would say that I think the film [I am love] is absolutely about nature, it recommends human nature. You don't need to recommend change, that's inevitable, it's the only reliable thing we have.

  Tilda Swinton

  Love Is, Thinking, Needs

  Source: www.indielondon.co.uk

• What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact.

  Tilda Swinton

  People, Cameras, Opulence

  Source: www.indielondon.co.uk

• I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body.

  Tilda Swinton

  Party, Links, Body

  Source: www.nerve.com

• I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.

  Tilda Swinton

  Doe, Film, Stage

  Source: www.indielondon.co.uk

• This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.

  Tilda Swinton

  Artist, Doctors, Views

  "‘Doctor Strange’ Interview: Tilda Swinton Talks About Her Transformation Into The Ancient One". Interview with Peter Sciretta, www.slashfilm.com. September 28, 2016.

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