Experience is real. Painting, which comes out of experience, is real. The world is an illusion.
When anyone can produce dreck or publish gibberish, and not only get away with it but be celebrated for it, the discipline is no longer a discipline, and it will get no respect.
Don't explain, enjoy.
Good art has everything you need to know about it in the work, not on a wall label. Art is here to take us beyond language.
Anything is OK in art if the art turns out OK.
When you write something new about science, other scientists may not like it but they pay attention because it is subject to proof. When you write something new about art, it is subject only to the reader's discomfort, and will probably be rejected.
Art is like a butterfly fluttering in a meadow. Analysis of art is like a butterfly on a pin. Each has its value, but we must always be aware of the difference, and what is gained or lost.
Good new art may not look like art. Inspiration doesn't follow style, it creates it.
Art flows more easily when you are not thinking about what 'should' be in it or how it 'should' be done. The Impressionists taught us to look and see, not assume.
Most 'profound truths' are just timely ideas.
Stale artifacts of the past' are always 'active components of the present moment' when they are experienced in the present moment.
Postmodernism does not help us understand good art. It encourages art that can be easily understood and throws in something catchy to cover the loss of mystery.
When art writing seems incomprehensible, chances are it is.
Making art is like swimming underwater in a blindfold.
Conceptual art' is an oxymoron. Concepts are articulations of fact or supposition, not attributes of quality.
If we see an object as a bowl, it may inhibit seeing it as craft, just as seeing it as craft might inhibit seeing it as art. See first; name later.
There is no best way to make art, but there are a lot of better ways.
When you have made a good painting, don't do another like it, but remember the process, what you did, what you were thinking and feeling.
Most art is just surface noise.
Assumptions are usually presumptuous but often correct.
Purplish brown? Let's agree it / is a color so bad we all flee it / it has no good use / so let's name it Puce / from the sound we make when we see it.
Very few people ever understand art. If you are lucky, they will buy it for the wrong reasons.
Good art, no matter how simple or casual-seeming, always carries a high density of choice.
Too much freedom inhibits choice. Constructive narrowness clarifies choice.
One needs to be right before getting righteous.
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