What I need to write well is a combination of heat, light and solitude.
Things are not what they seem.
There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
The more research you do, the more at ease you are in the world you're writing about. It doesn't encumber you, it makes you free.
Good writing is always new.
Novels arise out of the shortcomings of History.
That is human nature, that people come after you, willingly enough, provided only that you no longer love or want them.
In our world of sleek flesh and collagen, botox and liposuction, what we most fear is the dissolution of the body-mind, the death of the brain.
Where would we be without inhibitions? Theyre quite useful things when you look at some of the things humans do if they lose them.
I was no good at being a child.
In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.
Vocabularies are crossing circles and loops. We are defined by the lines we choose to cross or to be confined by.
Cyclists. I really hate them. I wish they would not be so self-righteous and realise they are a danger to pedestrians. I wish cyclists would not vindictively snap off wing mirrors on cars when they were trying to cross in front of the car at a danger to motorists and pedestrians.
Ice burns, and it is hard to the warm-skinned to distinguish one sensation, fire, from the other, frost.
Only write to me, write to me, I love to see the hop and skip and sudden starts of your ink.
You know, it's a truism that writers for children must still be children themselves, deep down, must still feel childish feelings, and a child's surprise at the world.
Creative Writing was not a form of psychotherapy, in ways both sublime and ridiculuous, it clearly was, precisely that.
Independent women must expect more of themselves, since neither men nor other more conventionally domesticated women will hope for anything, or expect any result other than utter failure.
I cannot bear not to know the end of a tale. I will read the most trivial things – once commenced – only out of a feverish greed to be able to swallow the ending – sweet or sour – and to be done with what I need never have embarked on. Are you in my case? Or are you a more discriminating reader? Do you lay aside the unprofitable?
Young girls are sad. They like to be; it makes them feel strong.
Harm can come about without will or action. But will and action can avert harm.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
You did not so much mind being -conventionally- betrayed, if you were not kept in the dark, which was humiliating, or defined only as a wife and dependent person, which was annihilating.
You are safe with me." "I am not at all safe, with you. But I have no desire to be elsewhere.
I know that part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful.
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