My commodity as a writer, whatever I'm writing about, is me. And your commodity is you. Don't alter your voice to fit the subject. Develop one voice that readers will recognize when they hear it on the page, a voice that's enjoyable not only in its musical line but in its avoidance of sounds that would cheapen its tone: breeziness and condescension and clichés.
Writing improves in direct ratio to the things we can keep out of it that shouldn't be there.
Clear thinking becomes clear writing; one can't exist without the other.
People read with their ears, whether they know it or not.
You can solve most of your writing problems if you stop after every sentence and ask: what does the reader need to know next?
One of underestimated tasks in nonfiction writing is to impose narrative shape on an unwieldy mass of material.
Writing is learned by imitation. If anyone asked me how I learned to write, I'd say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.
All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative - good old-fashioned storytelling - is what should pull your readers along without their noticing the tug.
My four articles of faith: clarity, simplicity, brevity and humanity.
Nobody told all the new e-mail writers that the essence of writing is rewriting. Just because they are writing with ease and enjoyment doesn't mean they are writing well.
There are all kinds of writers and all kinds of methods, and any method that helps you to say what you want to say is the right method for you.
Decide what you want to do. Then decide to do it. Then do it.
Many writers are paralyzed by the thought that they are competing with everybody else who is trying to write and presumably doing it better.... Forget the competition and go at your own pace. Your only contest is with yourself.
If the nails are weak, your house will collapse. If your verbs are weak and your syntax is rickety, your sentences will fall apart.
The writers job is like solving a puzzle, and finally arriving at a solution is a tremendous satisfaction.
Also bear in mind, when you're choosing your words and stringing them together, how they sound. This may seem absurd: readers read with their eyes. But in fact they hear what they are reading far more than you realize.
A clear sentence is no accident.
A writer will do anything to avoid the act of writing.
Be yourself and your readers will follow you anywhere. Try to commit an act of writing and they will jump overboard to get away.
Few people realize how badly they write. Nobody has shown them how much excess or murkiness has crept into their style.
I almost always urge people to write in the first person. ... Writing is an act of ego and you might as well admit it.
You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want
Writing is a craft not an art.
Eloquence invites us to bring some part of ourselves to the transaction.
Not everybody has a talent for painting, or for the piano, or for dance. But we can write our way into the artist's head and into his problems and solutions. Or we can go there with another writer.
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