Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don't know what they want to read until they read it. Besides, they're always looking for something new.
Clutter is the official language used by corporations to hide their mistakes.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
No one has something original or important to say will willing we run the risk of being misunderstood; people who write obscurely are either unskilled in writing or up to mischief
Rewriting is the essence of writing well - where the game is won or lost.
Writing is thinking on paper. Anyone who thinks clearly should be able to write clearly-about any subject at all.
Thought is action in rehearsal.
Writers are the custodians of memory, and that's what this chapter is about: how to leave some kind of record of your life and of the family you were born into.
All writing is ultimately a question of solving a problem.
But nothing has replaced the writer. He or she is still stuck with the same old job of saying something that other people will want to read.
You learn to write by writing.
Not every oak has to be gnarled, every detective hard-bitten. The adjective that exists solely as a decoration is a self-indulgence for the writer and an obstacle for the reader.
What I want to do is to make people laugh so that they'll see things seriously.
Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.
A writer is always working.
Writing is hard work.
I have no interest in teaching writers how to sell. I want to teach them how to write. If the process is sound, the product will take care of itself, and sales are likely to follow.
Good writing is lean and confident.
Memoir is the art of inventing the truth.
Don't hedge your prose with little timidities. Good writing is lean and confident. . . . Every little qualifier whittles away some fraction of the reader's trust. Readers want a writer who believes in himself and in what he is saying. Don't diminish that belief. Don't be kind of bold. Be bold.
Even a poor translator couldn't kill a style that moves with such narrative clarity.
If you lose the dullards back in the dust, that's where they belong. You don't want them anyway.
Nobody ever stopped reading E. B. White or V. S. Pritchett because the writing was too good.
Writers can write to affirm and to celebrate, or they can write to debunk and destroy; the choice is ours.
Never hesitate to imitate another writer. Imitation is part of the creative process for anyone learning an art or a craft. Bach and Picasso didn't spring full-blown as Bach or Picasso; they needed models. This is especially true of writing.
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