Readers must be given room to bring their own emotions to a piece so crammed with emotional content; the writer must tenaciously resist explaining why the material is so moving.
Every successful piece of nonfiction should leave the reader with one provocative thought that he or she didn't have before. Not two thoughts, or five - just one. So decide what single point you want to leave in the reader's mind.
Make a habit of reading what is being written today and what has been written before. Writing is learned by imitation.
Probably every subject is interesting if an avenue into it can be found that has humanity and that an ordinary person can follow.
A writer is obviously at his most natural and relaxed when he writes in the first person. Writing is a personal transaction between two people, conducted on paper, and the transaction will go well to the extent that it retains its humanity.
Be grateful for every word you can cut.
All writers should strive to deliver something fresh-something editors or readers won't know they want until they see it.
Every time you look at a blank piece of paper, you're doing something new. You have to step onto that blank territory and remind yourself the sky didn't fall in the last time you wrote. Writing is a question of overcoming your fears-and everybody has them.
Never forget that you are practicing a craft with certain principles.
Good writers are visible just behind their words.
The best way to learn to write is to study the work of the men and women who are doing the kind of writing you want to do.
When you're ready to stop, stop. If you have presented all the facts and made the point you want to make, look for the nearest exit.
If you would like to write better than everybody else, you have to want to write better than everybody else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen - editors, agents and publishers - whose sights may be different from yours, whose standards not so high.
Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.
Don't be kind of bold. Be bold.
Never say anything in writing that you wouldn't comfortably say in conversation. Be yourself when you write. If you're not a person who says 'indeed' or 'moreover,' or who calls someone an individual ('he's a fine individual'), please don't write it.
Abraham Lincoln and Winston Churchill rode to glory on the back of the strong declarative sentence.
Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
There's no subject you don't have permission to write about. Students often avoid subjects close to their heart ... because they assume that their teachers will regard those topics as 'stupid.' No area of life is stupid to someone who takes it seriously. If you follow your affections you will write well and will engage your readers.
I think a sentence is a fine thing to put a preposition at the end of.
Writing and learning and thinking are the same process.
Get people talking. Learn to ask questions that will elicit answers about what is most interesting or vivid in their lives. Nothing so animates writing as someone telling what he thinks or what he does - in his own words. His own words will always be better than your words, even if you are the most elegant stylist in the land.
Never let anything go out into the world that you don't understand.
There's not much to be said about the period except that most writers don't reach it soon enough.
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