I always thought problem solving was greatly overrated - and that the most important thing was problem creation.
Painting is a lie. It's the most magic of all media, the most transcendent. It makes space where there is no space.
If it looks like art, chances are it's somebody else's art.
I can't always reach the image in my mind... almost never, in fact... so that the abstract image I create is not quite there, but it gets to the point where I can leave it.
At the same time that I'm finding the color world I want, I'm also trying to make the imagery, you know, by the nature of the strokes themselves.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
The first thing I do is take Polaroids of the sitter - 10 or 12 color Polaroids and eight or 10 black-and whites.
I've always thought that problem-solving is highly overrated and that problem creation is far more interesting.
I think the problem with the arts in America is how unimportant it seems to be in our educational system.
I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.
I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.
The camera is objective. When it records a face it can't make any hierarchical decisions about a nose being more important than a cheek. The camera is not aware of what it is looking at. It just gets it all down.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
I wanted to translate from one flat surface to another.In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.
In the 7th grade, I made a 20-foot long mural of the Lewis and Clark Trail while we were studying that in history because I knew I wasn't going to be able to spit back the names and the dates and all that stuff on a test.
There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.
I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
I only use three primaries, so the nice thing is I can't have favorite colors.
I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
I have a great deal of difficulty recognizing faces, especially if I haven't - if I've just met somebody, it's hopeless.
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I love making art... It's largely how I see myself. I'm an artist; therefore I have to make art.
All the fingerprint paintings are done without a grid.
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