If the light is great in front of you, you should turn around and see what it is doing behind you.
If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
Try to go out empty and let your images fill you up.
If you want to make more interesting pictures, become a more interesting person.
The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
Always carry a camera, it's tough to shoot a picture without one.
The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
Always shoot it now. It won't be the same when you go back.
Photography is an act of love.
You are responsible for every part of your image, even the parts you’re not interested in.
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
The best camera is the one you have with you.
Failing is not a problem. Not trying is a problem.
First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical; it might rub off on others. Fourth, don't give up.
It's my obligation to take out all the 'wrong' pictures.
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.
If you're not your own severest critic, you are your own worst enemy.
It's always around. You just don't see it.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
If you're just going to meet consumer or clients' demands, you might as well be a plumber - the work will be more frequently available.
If you're not shooting in the right direction, it doesn't matter how well you're shooting.
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