If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
If the light is great in front of you, you should turn around and see what it is doing behind you.
Try to go out empty and let your images fill you up.
Always carry a camera, it's tough to shoot a picture without one.
Photography is an act of love.
I'm a New Yorker. I don't believe in air unless I can see it.
If you're not shooting in the right direction, it doesn't matter how well you're shooting.
If you want to make more interesting pictures, become a more interesting person.
If you can capture the element of surprise, you're way ahead of the game.
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
Be aware of every square millimeter of your frame.
I don't see light as something that falls, but as a positive force.
As people, we love pattern. But interrupted pattern is more interesting.
Never put lettering in your photos unless you want it read.
There is no one solution to all problems. It's the problem itself that can lead to the solution.
Never say you're going back - SHOOT IT NOW!
When finding the right angle for a shot...'Move your ass.'
Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
The more light you have in an image, the less drama you get. The details start taking over; the mystery is all gone.
It's my obligation to take out all the 'wrong' pictures.
Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.
You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
We have always wanted to find the 'it-ness' of anything we shoot. We want to get as deep into the subject as we can.
What you're shooting at doesn't matter, the real question is: 'Does it give you joy?'
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