Tristan and Isolde were lucky to die when they did. They'd have been sick of all that rubbish in a year.
Women say . . . that if men had to have babies there would soon be no babies in the world. . . . I have sometimes wished that some clever man would actually have a baby in some new labor-saving way; then all men could take it up, and one of the oldest taunts in the world would be stilled forever.
The most original thing a writer can do is write like himself. It is also his most difficult task.
I have no skills with machines. I fear them, and because I cannot help attributing human qualities to them, I suspect that they hate me and will kill me if they can.
One can always tell it's summer when one sees school teachers hanging about the streets idly, looking like cannibals during a shortage of missionaries.
I see Canada as a country torn between a very northern, rather extraordinary, mystical spirit which it fears and its desire to present itself to the world as a Scotch banker.
The best among our writers are doing their accustomed work of mirroring what is deep in the spirit of our time; if chaos appears in those mirrors, we must have faith that in the future, as always in the past, that chaos will slowly reveal itself as a new aspect of order.
The love that dare not speak its name has become the love that won't shut up.
Female beauty is an important Minor Sacrament which cannot be received too often; I am not at all sure that neglect of it does not constitute a sin of some kind.
These matters require what I think of as the Shakespearean cast of thought. That is to say, a fine credulity about everything, kept in check by a lively skepticism about everything.... It keeps you constantly alert to every possibility.
Their very conservatism is secondhand, and they don't know what they are conserving.
The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.
Although I am almost illiterate mathematically, I grasped very early in life that any one who can count to ten can count upward indefinitely if he is fool enough to do so.
Do not suppose, however, that I intend to urge a diet of classics on anybody. I have seen such diets at work. I have known people who have actually read all, or almost all, the guaranteed Hundred Best Books. God save us from reading nothing but the best.
To be a book-collector is to combine the worst characteristics of a dope fiend with those of a miser.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
In a government like ours, the Crown is the abiding and unshakable element in government; politicians may come and go, but the Crown remains and certain aspects of our system pertain to it which are not dependent on any political party. In this sense, the Crown is the consecrated spirit of Canada.
I never heard of anyone who was really literate or who ever really loved books who wanted to suppress any of them. Censors only read a book with great difficulty, moving their lips as they puzzle out each syllable, when someone tells them that the book is unfit to read.
Nobody who looks as though he enjoyed life is ever called distinguished, though he is a man in a million.
Humour very often consists of shrewd perceptions about people. It's usually fun at someone's expense. Nowadays if you're funny at anybody's expense they run to the UN and say, "I must have an ombudsman to protect me." You hardly dare have a shrewd perception about anybody.
And why should it not be terrifying? A little terror, in my view, is good for the soul, when it is terror in the face of a noble object.
Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.
He was a genius - that is to say, a man who does superlatively and without obvious effort something that most people cannot do by the uttermost exertion of their abilities.
There can be no doubt that Samuel Marchbanks is one of the choice and master spirits of this age. If there were such a volume as Who Really Ought To Be Who his entry would require several pages.
Aristocrats need not be rich, but they must be free, and in the modern world freedom grows rarer the more we prate about it.
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