As a professor I can't teach writing.
I agonize over things like this - the order of things, section titles, all this architectural sort of stuff. Takes me years to figure out.
A collection, for me, is a book of very diverse stories that somehow speak to each other, across wide geography, across time, years, decades.
I'm pretty tight - I rewrite, in some cases, 70 to 80 times before I show it to people.
Everybody, doesn't matter who you are, escapes time. And for me, nothing is stranger than the thought that kids are just kids. Nobody is just anything. Whether you are eight or eighty, you've got your own unique take on how weird this world is.
I write when I have something to say and not when I don't. My time is better spent if I know I have nothing to say. I don't consider it writer's block; I just don't have anything to say.
What you can do with a short story that you can't do with a novel is punch someone in the gut, in the best of ways.
My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.
I beat a story to within an inch of its life - that's when I know its done. Not before, not after.
One story I've been trying to write for years, and haven't been able to finish, is about a face I saw, just a glimpse of a face, in a max security prison in North Carolina. I'm still trying to understand what I saw in that guy's face.
Lot of stories in deceit, how characters deceive other people, but most of all, I think, how they deceive themselves. We're not as tricky as we think we are.
I've spent so many years living in one place and imaging another.
I always say writing fiction isn't something you teach. It's something you do, and only experimentation - i.e. doing it, either badly or good sometimes - can help anybody get any better or worse at it.
I think anything we do - eating, walking down the street, online shopping - gives you another perspective on writing stories.
I sometimes wonder if our memories are a myth. We think we remember, but we are remembering the story and not the actual event?
I think that maybe happy families don't need stories the way unhappy families need stories. Maybe they're too busy living that they don't actually step back and talk about life like the Anton Chekhov quote. I prefer Anton Chekhov to Lev Tolstoy, and the reason is because of what he leaves out. Sometimes I think Tolstoy had a theory that he was proving and he proved it. Chekhov is more ambiguous.
I try not to read my own books just because I would rather read somebody else.
I think some writers should wait for something to say.
"I think some writers should wait for something to say."
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