You can find pictures anywhere. It's simply a matter of noticing things and organizing them.
My 'work' is about seeing not about ideas.
If you keep your cool, you'll get everything.
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
I like things that have to do with what is real, elegant, well presented and without excessive style. In other words, just fine observation.
I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.'
A visual sense is something you either have or you don't.
I'm not a serious photographer like many of my contemporaries. That is to say, I am serious about not being serious.
I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.
Quality … has to do with intention.
I'm an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
Ill always be an amateur photographer.
I don't like explosions. I don't mind progress. But digital photography has made every man, woman, child and chimpanzee a photographer of sorts and consequently has numbed down the general quality of photographs.
Somehow Photoshop and the ease with which one can produce an image has degraded the quality of photography in general.
Most photographers work best alone, myself included.
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
I don't really have a favorite camera. I use a Leica and Canon a lot. It depends, especially professionally, on the requirements. But my carry-around camera is a Leica.
Balance of light is the problem, not the amount. Balance between shadows and highlights determines where the emphasis goes in the picture...make sure the major light in a picture falls at right angles to the camera.
The main thing is to study pictures and stop listening to the pontifictaions of photographers. Photographers aren't oracles of wisdom. If they're good photographers, then take a good look at their pictures - what else do you need?
You have to devote yourself totally to be successful at it.
I dislike landscapes. I only like people, and plastic flowers.
The advantage of taking pictures of the famous is that they get published.
Photography is a craft. Anyone can learn a craft with normal intelligence and application. To take it beyond the craft is something else. That's when magic comes in. And I don't know that there's any explanation for that.
As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.
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