I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.
My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer; she thought I should be a chicken farmer.
It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
A myth is the name of a terrible lie told by a smelly little brown person to a man in a white suit with a pair of binoculars.
I'm standing up thinking. Anybody who wants to listen is welcome. If not, I'm happy to see them go.
For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
I am quite unsatisfied by the distinctions between the oral and literate.
While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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