tasteful and colossal are - in movies, at least - basically antipathetic.
The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren't drawing an audience - they're inheriting an audience. People just want to go to a movie. They're stung repeatedly, yet their desire for a good movie - for any movie - is so strong that all over the country they keep lining up.
A book might be written on the injustice of the just.
Movies, far more than the traditional arts, are tied to big money. Without a few independent critics, there's nothing between the public and the advertisers.
Television as we have it isn't an art form - it's a piece of furniture that is good for a few things.
Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.
The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.
in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
Writers who go to Hollywood still follow the classic pattern: either you get disgusted by 'them' and you leave or you want the money and you become them.
An avidity for more is built into the love of movies. Something else is built in: you have to be open to the idea of getting drunk on movies. (Being able to talk about movies with someone -- to share the giddy high excitement you feel -- is enough for a friendship.
Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.
Being creative is having something to sell, or knowing how to sell something, or having sold something. It has taken over what we used to mean by being "wised up" knowing the tricks, the shortcuts.
If there's anything to learn from the history of movies, it's that corruption leads to further corruption, not to innocence.
McLuhanism and the media have broken the back of the book business; they've freed people from the shame of not reading. They've rationalized becoming stupid and watching television.
I live in a rather special world. I only know one person who voted for Nixon. Where they are I don't know. They're outside my ken. But sometimes when I'm in a theater I can feel them.
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