"What do you want out of life?" I asked, and I used to ask that all the time of girls.
Remove literary, grammatical and syntactical inhibition.
There is universal substance which is divine substance because where else can it be?
How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)
I spent my entire youth writing slowly with revisions and endless rehashing speculation and deleting and got so I was writing one sentence a day and the sentence had no FEELING. Goddamn it, FEELING is what I like in art, not CRAFTINESS and the hiding of feelings.
You can't fight City Hall. It keeps changing its name.
One night I realized that when you give people understanding and encouragement a funny little meek childish look abashes their eyes, no matter what they've been doing they weren't sure it was right - lambies all over the world.
All is well, practice kindness, heaven is nigh.
Man, wow, there's so many things to do, so many things to write! How to even begin to get it all down and without modified restraints and all hung-up on like literary inhibitions and grammatical fears.
stick at it like a benni addict
The sun goes down long and red. All the magic names of the valley unrolled - Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon field; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragant air. It was the most beautiful of all moments.
Be crazy dumbsaint of the mind.
The air was so sweet in New Orleans it seemed to come in soft bandannas; and you could smell the river and really smell the people, and mud, and molasses, and every kind of tropical exhalation, with your nose suddenly removed from the dry ices of a Northern winter.
The taste of rain -- Why kneel?
Always pull back-and see how silly we must look to God.
Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.
I was having a wonderful time and the whole world opened up before me because I had no dreams.
She talks with a broken heart - Her voice lutes brokenly like a heart lost, musically too, like in a lost grove, it's almost too much to bear sometimes like some fantastic futuristic Jerry Southern singer in a nightclub who steps up to the mike in the spotlight in Las Vegas but doesn't even have to sing, just talk, to make men sigh and women wonder I guess.
Don't think of words when you stop but to see picture better.
The tree looks like a dog, barking at heaven.
...most of the time we were alone and mixing up our souls ever more and ever more till it would be terribly hard to say good-by.
I'm writing this book because we're all going to die.
Return those shoes to the shoemaker Return this hand to my father This pillow to the pillowmaker Those slippers to the shop. That wainscot to the carpenter, But my mind my tranquil and eternal Mind Return it to whom?
I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
Somebody had tipped the American continent like a pinball machine and all the goofballs had come rolling to LA in the southwest corner. I cried for all of us. There was no end to the American sadness and the American madness. Someday we'll all start laughing and roll on the ground when we realize how funny it's been.
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