In eroticism as dance: one of the partners is always charged with leading the other.
Fidelity gives a unity to lives that would otherwise splinter into thousands of split-second impressions.
Through the air floated only important words, and Flajsman said to himself that love has but one true measure, and that is death. At the end of true love is death, and only the love that ends in death is love.
There are things that can be accomplished only by violence. Physical love is unthinkable without violence.
The best actors do not let the wheels show.
Nudity is the uniform of the other side... nudity is a shroud.
By giving the love act a name, if only an innocent little word like, "it," he paved the way for other words, words that would reflect physical love as in a set of mirrors.
I understood that there was no escaping the memories, that I was surround by them. (p.30)
He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world’s store of ideas which had always existed ready-made and which people only borrowed, like books from a library.
Is not parody the eternal lot of man?
High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor . . .
Biographers know nothing about the intimate sex lives of their own wives, but they think they know all about Stendhal's or Faulkner's.
This symmetrical composition--the same motif at the beginning and at the end--may seem quite "novelistic" to you, and I am willing to agree, but only on condition that you refrain from reading such notions as "fictive," "fabricated," and "untrue to life" into the word "novelistic." Because human lives are composed in precisely such a fashion.
Aesthetic racism is almost always a sign of inexperience. Those who have not made their way far enough into the world of amorous delights judge women only by what can be seen. But those who really know women understand that the eye reveals only a minute fraction of what a woman can offer us. When God bade mankind be fruitful and multiply, Doctor, He was thinking of the ugly as well as of the beautiful. I am convinced I might add, that the aesthetic criterion does not come from God but from the devil. In paradise no distinction was made between ugliness and beauty.
But which was the real me? Let me be perfectly honest: I was a man of many faces. (p.33)
The girl was grateful to the young man for every bit of flattery; she wanted to linger for a moment in its warmth and so she said, 'You're very good at lying.' 'Do I look like a liar?' 'You look like you enjoy lying to women,' said the girl, and into her words there crept unawares a touch of the old anxiety, because she really did believe that her young man enjoyed lying to women.
We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspiring, is playing the “Es muss sein!” to our own great love.
The very beginning of Genesis tells us that God created man in order to give him dominion over fish and fowl and all creatures. Of course, Genesis was written by a man, not a horse.
The day after his father left, Franz and his mother went into town together, and as they left home Franz noticed that her shoes did not match. He was in a quandary: he wanted to point out the mistake, but was afraid he would hurt her. So, during the two hours they spent walking through the city together he kept his eyes focused on her feet. It was then he had his first inkling of what it means to suffer.
Joking is a barrier between man and the world. Joking is the enemy of love and poetry.
She was aware that in love even the most passionate idealism will not rid the body's surface of its terrible, basic importance.
Fortunately women have the miraculous ability to change the meaning of their actions after the event.
Art is the human disposition of sensible or intelligible matter for an esthetic end.
Jealousy isn't a pleasant quality, but if it isn't overdone (and if it's combined with modesty), apart from its inconvenience there's even something touching about it.
Laughter, on the other hand, " Petrarch went on, "is an explosion that tears us away from the world and throws us back into our own cold solitude. Joking is a barrier between man and the world. Joking is the enemy of love and poetry. That's why I tell you yet again, and you want to keep in mind: Boccaccio doesn't understand love. Love can never be laughable. Love has nothing in common with laughter.
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