Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
The basic thing nobody asks is why do people take drugs of any sort? Why do we have these accessories to normal living to live? I mean, is there something wrong with society that's making us so pressurized, that we cannot live without guarding ourselves against it?
If people take any notice of what we say, we say we've been through the drug scene, man, and there's nothing like being straight.
Going to America increased the build up on me, especially as the war was going on there. In a way we'd turned out to be a Trojan horse. The 'Fab Four' moved right to the top and then sang about drugs and sex and then I got into more and more heavy stuff and that's when they started dropping us.
The worst drugs are as bad as anybody's told you. It's just a dumb trip, which I can't condemn people if they get into it, because one gets into it for one's own personal, social, emotional reasons. It's something to be avoided if one can help it.
I'll be a good boy, please make me well. I promise you anything, get me out of this hell. Cold turkey has got me on the run.
[Polythene Pam] was me, remembering a little event with a woman in Jersey, and a man who was England's answer to Allen Ginsberg, who gave us our first exposure - this is so long - you can't deal with all this. You see, everything triggers amazing memories. I met him when we were on tour and he took me back to his apartment and I had a girl and he had one he wanted me to meet. He said she dressed up in polythene, which she did. She didn't wear jackboots and kilts, I just sort of elaborated. Perverted sex in a polythene bag. Just looking for something to write about.
The first drugs I ever took, I was still at art school, with the group - we all took it together - was Benzedrine from the inside of an inhaler.
In Hamburg the waiters always had Preludin - and various other pills, but I remember Preludin because it was such a big trip - and they were all taking these pills to keep themselves awake, to work these incredible hours in this all-night place. And so the waiters, when they'd see the musicians falling over with tiredness or with drink, they'd give you the pill. You'd take the pill, you'd be talking, you'd sober up, you could work almost endlessly - until the pill wore off, then you'd have to have another.
The Beatles had gone beyond comprehension. We were smoking marijuana for breakfast. We were well into marijuana and nobody could communicate with us, because we were just glazed eyes, giggling all the time.
He laid it on George, me and our wives without telling us at a dinner party at his house. He was a friend of George's, and our dentist at the time. He just put it in our coffee or something. He didn't know what it was, it was just, 'It's all the thing,' with the middle-class London swingers. They had all heard about it and didn't know it was different from pot or pills. And they gave it to us, and he was saying, 'I advise you not to leave,' and we thought he was trying to keep us for an orgy in his house and we didn't want to know.
I had a lot of it in my day, but I don't like it. It's a dumb drug. Your whole concentration goes on getting the next fix. I find caffeine easier to deal with.
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