If it sounds like writing, I rewrite it.
These are rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.
To me, a book is a book, an electronic device is not, and love of books was the reason I started writing.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
I don't want the reader to be aware of me as the writer.
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
Everyone has his own sound. I'm not going to presume how to tell anybody how to write.
I once saw Dizzy Gillespie at a live show, and it made me want to go home immediately and start writing.
Avoid prologues: they can be annoying, especially a prologue following an introduction that comes after a foreword.
I have fun writing. I don't make it a chore. I don't have to struggle with it.
I don’t think writers compete, I think they’re all doing separate things in their own style.
I left advertising as fast as I could in 1961. And I haven't ever thought about going back.
I'm not going to write for posterity. I'm going to write to make a buck.
A pen connects you to the paper. It definitely matters.
I always felt, you don’t have a good time doin crime, you may as well find a job.
I've quit writing screenplay [adaptations]. It's too much work. I don't look at writing a novel as work, because I only have to please myself. I have a good time sitting here by myself, thinking up situations and characters, getting them to talk - it's so satisfying. But screenwriting's different. You might think you're writing for yourself, but there are too many other people to please.
My most important rule is one that sums up the 10: If it sounds like writing, I rewrite it.
I started out of course with Hemingway when I learned how to write. Until I realized Hemingway doesn't have a sense of humor. He never has anything funny in his stories.
I used to be able to write five pages a day, every day, no problem. Now a good day is five or four pages, and that's from 9:30 A.M. until 6 P.M.
Bad guys are not bad guys twenty-four hours a day.
Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure.
Never open a book with weather. There are exceptions. If you happen to be Barry Lopez, who has more ways to describe ice and snow than an Eskimo, you can do all the weather reporting you want.
I still read Hemingway. I still read his short stories because they're so good. He doesn't waste any words.
To me, writing is the most fun. It's not always fun, but finally when you make it come out the way you want, it's then you can say, 'It's fun, boy.'
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