The wise man doesn't give the right answers, he poses the right questions.
The world began without man, and it will complete itself without him.
I think that a society cannot live without a certain number of irrational beliefs. They are protected from criticism and analysis because they are irrational.
Language is a form of human reason, which has its internal logic of which man knows nothing.
Understanding arises from reducing one type of reality into another.
Since music is the only language with the contradictory attributes of being intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man.
The scientist is not a person who gives the right answers, he is one who asks the right questions.
Nor must we forget that in science there are no final truths.
I am the place in which something has occurred.
There is today a frightful disappearance of living species, be they plants or animals. And it's clear that the density of human beings has become so great, if I can say so, that they have begun to poison themselves. And the world in which I am finishing my existence is no longer a world that I like.
Objects are what matter. Only they carry the evidence that throughout the centuries something really happened among human beings.
Just as the individual is not alone in the group, nor anyone in society alone among the others, so man is not alone in the universe.
I have never known so much naive conviction allied to greater intellectual poverty.
Civilization has ceased to be that delicate flower which was preserved and painstakingly cultivated in one or two sheltered areas of a soil rich in wild species ... Mankind has opted for monoculture; it is in the process of creating a mass civilization, as beetroot is grown in the mass. Henceforth, man's daily bill of fare will consist only of this one item.
Animals are good to think with.
Being human signifies, for each one of us, belonging to a class, a society, a country, a continent and a civilization; and for us European earth-dwellers, the adventure played out in the heart of the New World signifies in the first place that it was not our world and that we bear responsibility for the crime of its destruction.
For everything is history: What was said yesterday is history, what was said a minute ago is history. But, above all, one is led to misjudge the present, because only the study of historical development permits the weighing and evaluation of the interrelationships among the components of the present-day society.
Enthusiastic partisans of the idea of progress are in danger of failing to recognize the immense riches accumulated by the human race. By underrating the achievements of the past, they devalue all those which still remain to be accomplished.
Freedom is neither a legal invention nor a philosophical conquest, the cherished possession of civilizations more valid than others because they alone have been able to create or preserve it. It is the outcome of an objective relationship between the individual and the space he occupies, between the consumer and the resources at his disposal.
The only phenomenon with which writing has always been concomitant is the creation of cities and empires, that is the integration of large numbers of individuals into a political system, and their grading into castes or classes. It seems to have favored the exploitation of human beings rather than their enlightenment.
The dogma of cultural relativism is challenged by the very people for whose moral benefit the anthropologists established it in the first place. The complaint the underdeveloped countries advance is not that they are being westernized, but that the westernization is proceeding too slowly.
With all its technical sophistication, the photographic camera remains a coarse device compared to the human hand and brain.
The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
Our system is the height of absurdity, since we treat the culprit both as a child, so as to have the right to punish him, and as an adult, in order to deny him consolation.
Our students wanted to know everything: but only the newest theory seemed to them worth bothering with. Knowing nothing of the intellectual achievements of the past, they kept fresh and intact their enthusiasm for 'the latest thing'. Fashion dominated their interest: they valued ideas not for themselves but for the prestige that they could wring from them.
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