To the man who only has a hammer, everything he encounters begins to look like a nail.
Creative people are all there, totally immersed, fascinated and absorbed in the present, in the current situation, in the here-now, with the matter-in-hand.
The emotional reaction in the peak experience has a special flavor of wonder, of awe, of reverence, of humility and surrender before the experience as before something great.
If you love the truth, you'll trust it - that is, you will expect it to be good, beautiful, perfect, orderly, etc., in the long run, not necessarily in the short run.
The key question isn't, 'What fosters creativity?' But it is, 'Why isn't everyone creative?'
The person in peak-experiences feels himself, more than other times, to be the responsible, active, creating center of his activities and of his perceptions. He feels more like a prime-mover, more self-determined (rather than caused, determined, helpless, dependent, passive, weak, bossed). He feels himself to be his own boss, fully responsible, fully volitional, with more "free-will" than at other times, master of his fate, an agent.
We cannot study creativeness in an ultimate sense until we realize that practically all the definitions that we have been using of creativeness are essentially male or masculine definitions of male or masculine products. We've left out of consideration almost entirely the creativeness of women.
The major motivation theories by which most men live can lead them only to depression and cynicism.
But behavior in the human being is sometimes a defense, a way of concealing motives and thoughts, as language can be a way of hiding your thoughts and preventing communication.
Classic economic theory, based as it is on an inadequate theory of human motivation, could be revolutionized by accepting the reality of higher human needs, including the impulse to self actualization and the love for the highest values.
What shall we think of a well-adjusted slave?
Human beings seem to be far more autonomous and self-governed than modern psychological theory allows for.
The key question isn't "What fosters creativity?" But why in God's name isn't everyone creative? Where was the human potential lost? How was it crippled? I think therefore a good question might not be why do people create? But why do people not create or innovate? We have got to abandon that sense of amazement in the face of creativity, as if it were a miracle that anybody created anything.
Well why not a technology of joy, of happiness?
Expression and communication in the peak–experiences tend often to become poetic, mythical, and rhapsodic, as if this were the natural kind of language to express such states of being.
Plateau experiencing can be achieved, learned, earned by long hard work.... A transient glimpse is certainly possible in the peak experiences which may, after all, come sometimes to anyone. But, so to speak, to take up residence on the high plateau .... that is another matter altogether. That tends to be a lifelong effort.
There is, first, the desire for strength, for achievement, for adequacy, for confidence in the face of the world, and for independence and freedom. Secondly, we have what we may call the desire for reputation or prestige
We need not take refuge in supernatural gods to explain our saints and sages and heroes and statesmen, as if to explain our disbelief that mere unaided human beings could be that good or wise.
...the great lesson is that the sacred is in the ordinary, that it is to be found in one's daily life, in one's neighbors, friends, and family, in one's backyard.
When all you own is a hammer, every problem starts looking like a nail.
A child wants some kind of undisrupted routine or rhythm. He seems to want a predictable, orderly world.
Self-actualizing people must be what they can be.
Dispassionate objectivity is itself a passion, for the real and for the truth.
The test of a man is: does he bear apples? Does he bear fruit?
I have discovered the missing link between the anthropoid apes and civilized men. It's us!
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