You're nervous because you're afraid of the outcome. Accept the worst outcome... You'll be free & fight like you're able to.
Before a fight I empty my mind. Every fighter is able to lose. It is not a big thing. You have to accept what comes and remain calm.
When you're angry, you can't fight rationally. Your body chemistry is all messed up. Your energy goes to all the wrong places. You can't do anything well except get angrier. That's why I like fighting guys who are pumped up on steroids. Fighting is all about relaxing and releasing tension, so your body is flexible and fluid, able to bend and flex quickly, like water. I like fighting angry guys who are really tense. They can't think right, and they can't fight right.
I've been inspired by a shitload of people in my life so if there's ever anybody that I can inspire, to me that's a huge gift. To be able to turn that back around.
Jiu-Jitsu for sure will save your ass, one way or another. Not necessarily a physical fight but also being able to deal with yourself, know about yourself, and really improve yourself as a whole.
Dinosaurs were huge and powerful; they could not adapt and they died out. And so the big difference between dinosaurs and cockroaches is adaptability: one is able to adjust, while the other, apparently, couldn't... The same analogy applies to fighting, and probably any other sport. It's not always the strong that survive. It takes brains, guts, tolerance and forward thinking. We've seen this since the beginning of mixed martial arts.
Being a great fighter is having a perfect balance of having that toughness, skill, as well as that mental capability to be able to out-think you opponent.
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
Since I moved six or seven times the first year I was in New York, I had to be able to roll up the work, and paper would just get destroyed. Once I looked at what I'd done, I realized I had made a painting, sort of by default.
I'm kind of glad that I was able to properly grow up before becoming a massive movie star.
We need a broad-based coalition that is way beyond the bounds of Christianity to be able to help people to understand that there is a groundswell of support for the marriage amendment and for opposition to same-sex marriages.
Lots of TV is kind of becoming almost the new form for adult storytelling and cinema, but still with some independent films you still have those kind of jewels that people are able to make and it takes a lot of effort.
I've had a wonderful career and I'm very happy to have had all of the opportunities that I've had to tell stories and work for as long as I have. I'm sure there'll be a few more films but I'm happy that I'm able to be selective.
I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
I think you always need to be able to relate to your characters, but that doesn't necessarily mean...you have to understand why they do what they do, but you don't actually have to be like that yourself.
I don't want to paint myself as some kind of saint - that would be laughable - but I do think I've been able over the years to write humanely about subjects who are controversial and even contemptible. I've profiled pedophiles, stalkers, serial rapists, prison gang members and corrupt politicians.
There are still vestiges of societal limitations on women. I tend to think that has to do with opportunities that are available - it says a lot that it's still sometimes the best opportunity for a woman to be able to advance herself.
People always feel like there's a big split between TV and films: I'm a television actress, I'm a film actress. Maybe that's how it was but I feel like there's not that separation anymore. And actors are able to kind of flow between both worlds - and connect to both audiences.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
The other thing is going to be me being able to show not just the American people or the Israeli people but the world that, in fact, we have mechanisms in place that will prevent Iran from having a nuclear weapon.
What we have done though is consistently looked for additional opportunities to get stuff done. Wherever we see a possibility of increasing wages, creating more jobs, making sure that more people are able to access opportunity, we're gonna seize it.
What can I do to make sure that middle-class families are feeling more secure, that more young people are able to access opportunity, that we are safe, that we are working with our international partners to try to create more order at a time when there's a lot of chaos? How do we deal with terrorism in a way that's consistent with our values? As long as I stay focused on those north stars, then I tend not to get too rattled.
Creating video games is an especially important act. To me, video games are something I both play and create, so they're "special." If I lost one half, the balance would crumble. I need to be able to both play and create games.
Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
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