France is the only place where you can make love in the afternoon without people hammering on your door.
Spend the afternoon. You can't take it with you.
One day in '61, I was looking in the Santa Monica phone book for a number, and there it was: Stan Laurel, Ocean Avenue in Santa Monica. I went over there and spent the afternoon with them. And pumped him with questions. I must have driven him crazy. I spent a lot of happy hours at Stan's house on Sundays just talking about comedy.
I love being able to take a nap in the afternoon.
I prefer writing in the mornings, so to that extent I have a routine. I do reading and other things in the afternoon.
One of my earliest memories is seeing the bright blue, Epic 45 of Jackie Wilson singing 'Higher and Higher,' and I'd say, 'That one!' and my parents would play it every Sunday afternoon and we'd all get up and leap around the house.
It was a very intense and stressful situation. There was playing in the Johnny-pump (an opened fire hydrant) and the ice-cream man coming around and all of these games that we'd play, and suddenly it would turn just violent and there would be shootings at 12 in the afternoon on any given day.
We'll be going to the fish market and a farmer's market this afternoon to get what we need to make and eat dinner as a family. I'm trying to expose my kids to going to a farmers market or the fish market and learning what that's all about.
The first thing I think about when I wake up most mornings is the fact that I'm tired. I have been tired for decades. I am tired in the morning and I am tired while becalmed in the slough of the afternoon, and I am tired in the evening, except right when I try to go to sleep.
When I still lived in Manhattan, people-watching was my hobby, and I spent many Sunday afternoons eating up the scene from a window seat at a Starbucks on Broadway.
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
Walking the streets of Charleston in the late afternoons of August was like walking through gauze or inhaling damaged silk.
I came home every Friday afternoon, riding the six miles on the back of a big mule. I spent Saturday and Sunday washing and ironing and cooking for the children and went back to my country school on Sunday afternoon.
The latest incarnation of Oedipus, the continued romance of Beauty and the Beast, stand this afternoon on the corner of Forty-second Street and Fifth Avenue, waiting for the traffic light to change.
She did not suddenly start being disagreeable this afternoon, she was so good at it, she had evidently practised whatever are the scales and arpeggios of rudeness every day of her life.
But I didn't frame it; I put into an envelope and sealed it and stuffed it far back into a corner drawer of a filing cabinet. It's there, just in case one of these days I start to lose her. There might be a morning when I wake up and her face isn't the first thing I see. Or a lazy August afternoon when I can't quite recall anymore where the freckles were on her right shoulders. Maybe one of these days, I will not be able to listen to the sound of snow falling and hear her footsteps.
You took a walk on a Sunday afternoon and came to a nice neighborhood, very refined. You saw a small one of these trees through the iron gate leading to someone's yard and you knew that soon that section of Brooklyn would get to be a tenement district. The tree knew. It came there first. Afterwards, poor foreigners seeped in and the quiet old brownstone houses were hacked up into flats, feather beds were pushed out on the window sills to air and the Tree of Heaven flourished. That was the kind of tree it was. It liked poor people.
Tigerkit was nagging his mother. "Why can't I go out?" "You've just come in." "But it's a sunny day." "You need a nap." "I'm not tired." "You will be later." "I'll sleep then." "But you'll be grumpy all afternoon if you don't nap now." "No, I won't." "Yes, you will.
I toyed briefly with an image someone once mentioned to me, of a village in the shadow of a twin-peaked mountain. In the morning the sun rises. At lunch it sets behind the mountain. In the early afternoon it rises once more. The cocks crow for the second time, and later the sun sets again. No. One peak. Metaphors should not be belaboured.
I didn't know what to think, but what I felt was magnetic and so big it ached like the moon had entered my chest and filled it up. The only think I could compare it to was the feeling I got one time when I walked from the peach stand and saw the sun spreading across the late afternoon, setting the top of the orchard on fire while darkness collected underneath. Silence had hovered over my head, beauty multiplying in the air, the trees so transparent I felt like I could see through to something pure inside them. My chest ached then, too, this very same way.
All afternoon in the deck chair, I try to describe to my notebook the colors of the water and sky. How to translate sunlight into words?
And I sort of frowned about that, thinking. 'You felt ill this afternoon,' he said, 'because you're getting better. When we're healthy we respond to the presence of the hateful with fear and nausea. You're becoming healthy, that's all.
But they never last, the golden days. And it can be sad, the sun in the afternoon, can't it? Yes, it can be sad, the afternoon sun, sad and frightening.
On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.
There was no way Jacob would voluntarily miss an afternoon with Renesmee sans bloodsuckers. -Bella Cullen
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