I have been extremely proactive in putting myself up for characters that may have been meant to specifically be Caucasian. You bring an interesting angle to the character that isn't written.
Truth and facts have to trump partisanship. There has to be something that's true regardless of what your angle is on it.
The inhabitants of earth behold commonly but the dark and shadowy under side of heaven's pavement; it is only when seen at a favorable angle in the horizon, morning or evening, that some faint streaks of the rich lining of the clouds are revealed.
I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.
One of the huge advantages of shooting in the winter is that locations that wouldn't have been available to us suddenly were, like Yorkville. ... It's just specific streets and specific angles. I think that's what's always kind of shocking about some cities: they are really about intersections.
I have had many challenges in my life, including some very big ones when I was young and I've learned a lot of valuable lessons along the way. I have seen life from just about every angle you can see it from.
The older lives like not to be stood in rows or at right angles.
Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you read them, the implications and angles would change. To get that right, each one of the books had to have its own personality and texture -- even though they are connected, they are very different creatures.
The angles even Draw strength from gazing on its glance, Though none its meaning fathom may; The world's unwither'd countenance Is bright as at creation's day.
London always reminds me of a brain. It is similarly convoluted and circuitous. A lot of cities, especially American ones like New York and Chicago, are laid out in straight lines. Like the circuits on computer chips, there are a lot of right angles in cities like this. But London is a glorious mess. It evolved from a score or so of distinct villages, that merged and meshed as their boundaries enlarged. As a result, London is a labyrinth, full of turnings and twistings just like a brain.
London is an endless skirmish between angles and emptiness.
I am, Sir, a brother of the angle.
I think I'm on an angle. I'm on an oblique angle through all of existence.
All golfers fear the one-iron. It has no angle, no loft. The one-iron is a confidence-crusher, a fear trip, an almost guarantee of shame, failure, dumbness and humiliation if you ever use it in public.
The Sahara was a spectacle as alive as the sea. The tints of the dunes changed according to the time of day and the angle of the light: golden as apricots from far off, when we drove close to them they turned to freshly made butter; behind us they grew pink; from sand to rock, the materials of which the desert was made varied as much as its tints.
Farmers are philosophical; they have learned that it is less wearing to shrug than to beat their breasts. But there is another angle to their attitude. Things happen rapidly in the country; something new always comes along to divert them and it isn't necessarily another calamity.
Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.
To not be self-conscious of your appearance is huge, and something that I desperately hope to carry into film at some point in my useless life - to not be thinking, "My ear looks weird from this angle, why is the camera over there?"
Here on the edge of the river, the motifs are very plentiful, the same subject seen from a different angle gives a subject for study of the highest interest and so varied that I think I could be occupied for months without changing my place, simply bending a little more to the right or left.
I'm so fascinated with the study of people and why they are the way they are. That's my research and my archaeology, if you will, when I get a role. I'm so excited to attack a part from every angle of what makes a person a person.
Writing is a intensely personal activity. I can pen down my best thoughts when Im alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.
Why can't we have those curves and arches that express feeling in design? What is wrong with them? Why has everything got to be vertical, straight, unbending, only at right angles - and functional?
The genius is a genius by the first look he casts on any object. Is his eye creative? Does he not rest in angles and colors, but beholds the design,--he will presently undervalue the actual object.
Aphorisms know the angles, but not the structure.
I am always amazed by the novel angles that people come up with for kids' Christmas books. Even if a family is not religious, who could resist, say, "Olive, the Other Reindeer," about Olive the dog who thinks the song refers to her and heads for the North Pole to help Santa out?
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