I attribute my success to my mental approach to the game. I have always been a serious student of umpiring. I enjoy studying rules, situations, and positioning.
Don't let tradition paralyze your mind. Be receptive to new ideas. Be experimental. Try new approaches. Be progressive in everything you do.
Isaiah Berlin once said that there are two kinds of writers, hedgehogs and foxes. He said the fox knows many things, the hedgehog knows just one thing. So Shakespeare is a typical fox; Tolstoy and Dostoyevsky are typical hedgehogs. Now, I'm a typical hedgehog. I know just one thing, and I repeat it over and over again. I try to approach it from different angles to make it look different, but it's the same thing.
I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste.
So many computer languages try to force you into one way of thinking and Perl is very much the opposite of that approach. It's kind of like a, well, sometimes Perl has been called the Swiss army chainsaw of the internet, but it's more like a Swiss army machine shop. It really gives you a lot of tools, some of which are dangerous, but it lets you get your job done very quickly.
Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.
I don't go for the nouvelle approach - serving a rabbit rump with coffee extract sauce and a slice of kiwi fruit.
I tend to like to write a song and then think about it for a while. I record a demo of it and then put it away and wait until I've gotten more thoughts on it or get sure exactly how to approach it.
The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.
I approach every week the same. I think I've always tried to be very professional to how I approach the game, my preparation. Every game is important.
[Writing something original from scratch], the initial process is way different. But once it exists and you start to actually work on making it real, then the approach is kind of the same, for me anyways.
Will [Smith] is not like preachy. He's more like lead by example. There's two ways to approach Will. You can follow or you can watch and learn, and I just kind of watched him and learned how he dealt with people, how he dealt with life and how he approaches his own work.
The idea of fixing of healing is an important part of any genuine spiritual approach. Kabbalah is very much about this idea of fixing of things that have been damaged. From a Buddhist point of view, things have been damaged because ignorance has intoxicated the mind.
I approach my music-making as an art-form--something pure from the spirit to which I can add dynamics and marketable reality. Music is genuine and healthy and the stimulation I get from molding it and adding dynamics is like nothing else on earth.
I've always felt I had more in common with the modernist approach than with postmodernism, but I can see where the connection might arise - and to be honest, I'm no academic, so I tend to use these words, like in Alice In Wonderland, to mean what I want them to mean rather than what they actually do mean.
Good storytelling for me is not so much technical expertise, which I know is applauded often; it's actually freshness of approach. It does mean you sometimes stumble and fall and make a horrible mess of things in seeking that freshness, but you should always keep trying to do that.
It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
The facilities are amazing here in McLaren. If you compare them to Sauber, who have good facilities in Formula 1, it's another level. But in terms of the people, the way they approach their jobs, is really amazing when you come into McLaren. The emphasis they have is very good and it gives you a big boost when you drive for this team.
The Oriental approach to violence is a much more aesthetic and poetic approach, whereas in the western world, violence is put in because you can't solve the problem. Violence is always the last solution, but unfortunately, in cinema, it's the first solution, because it's easy. And it's often too easy.
I have always valued the care for my body, and my mind and had holistic approach to life. I always thought this is utmost importance for my tennis.
I love the balls-to-the-walls rule-breaking approach the Beatles had in the studio (which I emulate), although I don't try to make my songs "sound" like their songs. But every time I crank a knob of some piece of equipment, or plug an instrument into the "wrong" amp/effect, I am channeling the Beatles.
I think humans are stupid. We fight and kill each other. I think that's dumb. Aliens would be smarter than that and wouldn't approach things on that level. I can't really fathom it being a negative thing for aliens to visit.
Everything, every part that you approach has to be somehow rooted in yourself. You have to somehow root everything so that it's not just words coming out of you.
In short form I'll say it was an approach to the family and to [author] Jon Krakauer that then led to me seeming to rise to the top of the heap of several filmmakers that were trying to get the rights. And by top of the heap I mean in terms of being somebody that was trusted to do it as they said they were going to attempt to do it and that this way of doing it would be something they would be willing to allow.
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