The iron arc of the avoiding journey Curves back upon my weakness at the end; Whether the faint light spark against my face Or in the dark my sight hide from my sight, Centre and circumference are both my weakness.
Arc, amplitude, and curvature sustain a similar relation to each other as time, motion, and velocity, or as volume, mass, and density.
Now I know how Joan of Arc felt, As the flames rose to her Roman nose And her Walkman started to melt...
Out of the night you burn, Manhattan, In a vesture of gold-- Spun of innumerable arcs, Flaring and multiplying-- Gold at the uttermost circles fading Into the tenderest hint of jade, Or fusing in tremulous twilight blues, Robing the far-flung offices, Scintillant-storied, forking flame, Or soaring to luminous amethyst Over the steeples aureoled.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.
I have trouble sleeping, at the end of the night. There's a lot of stimulus and my brain is processing a lot of different arcs and personalities. I'm always processing things, so I don't sleep.
The most important, overriding arc of my career has been that I would never be self-deprecating.
This needs to work on that level, but it has the additional strain of it's going to be profoundly scrutinized by political junkies from the right and the left who will pick apart every little thing. We are inherently dramatizing Hillary Rodham, or Hillary Clinton, who's a very famous figure. There's a lot of biographies about her, but there's also elements that are private moments, that are dramatized with an arc, and we have to take creative license. Everything is sort of a cost-benefit.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
In every take, that you're not sure of what they're going to cut and paste together and what the arc or the purpose or the intention of your character's journey will be in the story. You don't have control. Sometimes that's wonderful, and sometimes that can be scary.
Speaking of August Rodin: He raised his world above us in an immense arc, and made it a part of nature.
I don't for a minute think that Hitler is like Joan of Arc. But I think that at that deep level of tropisms, Hitler or Stalin must have experienced the same tropisms as anyone else.
It's a long arc and a long storyline, and I think it leaves us in a great place to see how we interact again, whether that be for The Defenders, Jessica Jones Season 2, or whatever. We'll see. I don't know.
The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.
I find historical figures in general very tricky because you feel at times that you're serving two masters. Not only the arc and wonderful writing that comes with the show, but also the history of a person's life.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
In the end, people don't view their life as merely the average of all its moments-which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people's minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life maybe empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves.
How blind to believe the civil rights movement ever ended. The civil rights movement never ends, and it never will. It has been marching since the beginning of time. Where Martin Luther King started is where Gandhi left off, and where he started, Abe Lincoln left off, and before that Whitfield all the way back to Moses. God has not moved. We have. But it is never too late. We are not at the mercy of these events. We can alter the course of history. We can stand against the dangerous arc of this story. But we need people who are willing to speak truth.
Through the music I hope to give it an arc that gives it a greater sense of a journey through the set rather than a bunch of songs.
There arc no such things as desperate situations. Only desperate men.
When you make a movie, a dramatization based on the real experience of a living subject, you cant airbrush that away into to a perfect movie arc.
General de Gaulle was a thoroughly bad boy. The day he arrived, he thought he was Joan of Arc and the following day he insisted that he was Georges Clemenceau.
... [a] girl one day flared out and told the principal "the only mission opening before a girl in his school was to marry one of those candidates [for the ministry]." He said he didn't know but it was. And when at last that same girl announced her desire and intention to go to college it was received with about the same incredulity and dismay as if a brass button on one of those candidate's coats had propounded a new method for squaring the circle or trisecting the arc.
For centuries, dreams have been used to communicate instruction and direction to people of purpose - great men and women. God used dreams to prepare Joseph for his future as a leader of nations. He gave battle plans to Gideon in a dream. Joan of Arc, Jacob, George Washington, Marie Curie, and the apostle Paul were all guided by their dreams.
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