Stealing things is a glorious occupation, particularly in the art world.
I believe in art that is connected to real human feeling, that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized world. I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.
I would love to collect art at some point, but I think the whole rap/art world thing is getting kind of corny.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
Many outsiders see the art world as elitist and it is, except it is also oddly down-to-earth and embracing of oddballs who don't fit in well anywhere else.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it
The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told.
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.
More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt.
I think rap definitely has its place in the art world. I think it is an art form. But, just like any art form, you can misuse it.
The issue is Kinkade's ideology, and particularly his nostalgia; his paintings endlessly trumpet a nonexistent past when times were simpler and morality more pure. There's nothing wrong with this, but it stands at odds with a contemporary art world that looks to the future for inspiration. We value complexity and innovation, and distrust saccharine pictures of the past.
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
There are many, many art worlds. Art contains multitudes.
Luck plays no role in art world success. It's your own responsibility to create your success, which is a result of making thousands of constant decisions - focused, professional tenacity - day after day of keeping commitments to yourself and to those you make promises to. If you fail, it's all your fault. If you succeed, you deserve all the credit.
It is my dearest wish to help young artists of our country....and to assist them in establishing themselves in the art world.
The rule in the art world is: you cater to the masses or you kowtow to the elite; you can't have both.
In the art world, Monet means money.
I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.
Beauty, which I admit to being in pursuit of, is an extremely suspect word among many in the art world. But I don't think you can get along without it. It's the confirmation of meaning in life.
The art world loves to throw things out and bring new things in. There's always this new circle of artists entering every five years.
Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more high-minded than gallerists.
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