I am very obsessed with ballet now because it is a very difficult sport and a beautiful one because it is not about money. It's not like playing football or tennis - dance has no sponsors, it's just for the beauty. Maybe it is the only last pure sport.
Since nothing appears to me to give Children so much becoming Confidence and Behavior, and so raise them to the conversation of those above their Age, as Dancing. I think they should be taught to dance as soon as they are capable of learning it.
Although most informed balletomanes would place artistry above technique, artistry without a strong technique is a flaccid, bloodless thing indeed, whereas technique without much artistry can still dazzle us in the manner of the circus or sports arena translated to a higher plane. Though the perfect blend of the two elements is the consummation devoutly to be wished, the real enemy of good ballet is not the slight preponderance of one or the other but the prevalence of pantomime--the turning of dance into second-rate theater.
If you looked at my feet, you would know for sure that I used to do ballet. They're completely destroyed and ripped up.
When I was nine, I started doing ballet. That's when I knew that I was down to keep doing it.
I don't feel like my life is that of a superstar! Every day I wake up, I take the train, I go to my ballet class. My everyday life is pretty normal.
I feel like people used to leave their homes and go to their local theatre, and they used to watch ballet dancers and musical theatre performers and tap dancers and orchestras and dog acts. You had to leave your home, be in the presence of other people, know how to behave, and enjoy the human being whose beating heart was in front of you.
Culture in America and everywhere else comes from the suffering, from those who don't want the old ways. They want to bring in the new, whether it's the ballet, when it started, or Shakespeare.
I need a big wave to really excel. The smaller stuff is a bit like...ballet for me.
I've been trained in dancing and I used to be quite good, though I am a bit rusty right now. But I could probably brush up in a couple of months. The funny thing is that I actually took classes from Savion Glover, who worked in Happy Feet, when I was a kid. Isn't that wild? I was part of a selected group that was brought into New York from New Jersey (which is where I'm from) to study, every Saturday: ballet, jazz and tap. It was a musical comedy group.
Anyone interested in design must be interested in other fields of expression - theater, ballet, photography, literature, music.
Spectacular sporting events are bread & circuses. The Superbowl, for instance, is anything but "super". It is a Petri dish under the lens of mediaocrity, where surveillance of the spectators is just as mind numbing as the incomprehensible homo-erotic beefcake ballet being enacted on the pitch
I attended Professional Children's School in Manhattan because my ballet and modern dance schedules were intensive and had started to interfere with regular school hours.
Anatoli Tarasov, the guy that created the Soviet style of play, was a visionary. He was a creative thinker. He studied ballet and chess and art and read a lot.
I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.
Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. "No, we wouldn't do this. Yes, we would do that. That's not realistic." So, I feel like Center Stage did well in that respect.
Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it.
I had to quit ballet because it felt like a part of me was dying inside.
I'm the first one out on the dance floor. In college I had to take jazz, ballet and tap dancing, but, before that, it was just social.
I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
Pilates is my favorite core strengthener. I do it three or four times a week. With all the strengthening and lengthening, it's like ballet. Plus, you get to do it lying down!
I think that I'm so fortunate to have found classical ballet. It completely changed my life and it shaped the person that I am today, on and off the stage.
To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.
Going on stage and doing ballet, for the first time, was even more verification of, "This is what I'm meant to do. This is what I'm going to do. I'm going to make it somehow."
I learned how to communicate and articulate myself from ballet. It's just insane to me, when they don't think of that as a part of our education.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: