Training can be monotonous, and it is hard work, but you never lose sight of why you are doing it. Every single effort of every single session counts in the months and years leading up to a big event.
The beauty of life is in small details, not in big events.
It's not some big event that creates the drama, it's the little things of everyday life that bring about that drama.
I guess I feel very strongly that I disagree with the notion of personalizing history and movements and big events.
When a big event happens, people turn on to CNN, not only because they know there will be people there covering an event on the ground, but because they know we're going to cover it in a way that's non-partisan, that's not left or right.
As long as anti-gay legislation exists in any state, I strongly believe big events such as the Final Four and Super Bowl should not be held in those states' cities.
After you retire, there's only one big event left....and I ain't ready for that.
A trip to the mainland was a big event and happened maybe once a year, although now you can get across in a speed boat in seven minutes but then it was a long way away.
Eddie sees the big picture. He's clearly got a vision of how to make this thing the big event. And he never stops working. The minute [the tournament] is completed, he'll be thinking about next year.
Some people's lives seem to flow in a narrative; mine had many stops and starts. That's what trauma does. It interrupts the plot. You can't process it because it doesn't fit with what came before or what comes afterward. A friend of mine, a soldier, put it this way. In most of our lives, most of the time, you have a sense of what is to come. There is a steady narrative, a feeling of "lights, camera, action" when big events are imminent. But trauma isn't like that. It just happens, and then life goes on. No one prepares you for it.
If he thinks he would harm Mirabelle, he would back away. But he does not yet understand when and how people are hurt. He doesn't understand the subtleties of slights and pains, that it is not the big events that hurt the most but rather the smallest questionable shift in tone at the end of a spoken word that can plow most deeply into the heart.
There's plenty of great stuff out there. I think it's just what we do is we all spend our allowance on the thing that we're told is going to be the big event, and sometimes the big event is disappointing.
I had not been involved in any way in planning the event in Mobile. My staff maybe, had really been contacted, but I had never talked to Donald Trump about him coming to Mobile, and I decided - I had something else to do but it became so clear that it was going to be such a big event that I should be there. And he had already adopted my immigration views, in large part, and he was saying things I thought were valuable, about immigration.
The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.
I feel like whatever you've done in your career, good or bad, it's nothing but preparation for the big events to come.
With Katrina, it's almost like the sequel that doesn't live up to the original. It's certainly a shocking event and a tragedy, but somehow as a big event it doesn't seem to carry as much weight with the public as 9/11 did.
The nuclear industry has this amazing record, even equipment from generations one and two. But nuclear mishaps tend to come in these big events - Chernobyl, Three Mile Island, and now Fukushima - so it's more visible.
Just a tip if you have a big event to go to or an important meeting, if you cry enough your face swells up giving you a temporary lift.
Nowadays the movies that people are going to see in the theaters are the big-event movies, like Spider-Man or something, or they're 25-year-old models who are vampires, or they're very broad comedies, or they're standard action movies. So if you're going to work for a studio and do a movie for the budget that the movie needs, those are the kinds of movies you'll be in.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
There's too much of everything - too many bands, too many albums, too much information all the time. You're seeing fewer album releases treated as big events, because of the influx. It's almost a "here this week, forgotten next week" thing.
I am very blessed to be able to play tennis, the sport that I love and very grateful for the opportunities to play in the finals of big events, when the season starts you are on the roll constantly and obliged to be committed to daily routines on and off the court.
The guns of the big events rumble through our pages, but the tiny firecrackers are constantly hissing and popping there as well; it appears that much of my life as a journalist has been devoted to sedulously setting off firecrackers.
People are interested in relevant stories. In big events. But I'm not interested in big things; I'm interested in the smaller details of life.
...it is not the big events that hurt the most but rather the smallest questionable shift in tone at the end of a spoken word that can plow most deeply into the heart.
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