[Macon Blair] wrote a beautiful - once it was kicking off and we were gonna make the movie - he sent me this really beautiful document on Tony [from "I Don't Feel at Home in This World Anymore" ]. It was like ruminations. "Maybe this ... I don't know ..." And I loved it.
If you read people like say Bruce Blair one of the leading, most sober, knowledgeable specialists, he says, look, [Donald Trump] statements are all over the map, but his personality is frightening, he's a complete megalomaniac.
The British Labour Party has always had a very strong "Atlanticist component," with an obsequiousness to American policies, and Blair represents this wing. He's clearly obsessed with Iraq. He has to be because the overwhelming majority of the people of Britain oppose a military action. I've never known a situation like it.
Tony Blair is a very able politician; he's perhaps one of the best of his generation. He made a major contribution in many areas, but in Iraq I believe he got it wrong. He got it wrong.
The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.
I guess I am nostalgic for a time - the nineteenth century and early twentieth - when writers were, to use Stefan Collini's phrase, "public moralists" and politicians, plutocrats, bankers, arms dealers, and experts and technocrats were not solely defining the moral norms as well as the political lives of our societies. We do have some writers claiming to be public moralists, but, as I said, they have actually been more jingoistic than even the henchmen of Bush and Blair.
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