The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.
Editing is hard but nowhere NEAR as tough as facing that blank page and blinking cursor each day. You're all alone and no one else can do it. At least with editing you have someone in the trench with you.
I still get up every morning at 4 A.M. I write seven days a week, including Christmas. And I still face a blank page every morning, and my characters don't really care how many books I've sold.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
The blank page doesn't bother me. It's the voice in my head (not always my own) that gives me the yips. It's worse when I'm not making stuff up.
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