We all want to fix things. Just as we all believe that so much in life can be rectified. Mend fences, build bridges, reach out, engage in mutual healing.
Better to build a bridge than a wall.
As I came through medical school, it was very exciting because physicians were reaching out to each other, between the U.S. and the Soviet Union, and sort of helping to build bridges among, you know, people, people who were not allowing our government to pit us against each other and to actually take us to the brink of nuclear war. And Physicians for Social Responsibility wound up getting a Peace Prize, a Nobel Peace Prize, which they shared with International Physicians for the Prevention of Nuclear War.
Music seems to be the bridge over the gulf between form and the formless.
Miscommunication is the number one cause of all problems; communication is your bridge to other people. Without it, there's nothing. So when it's damaged, you have to solve all these problems it creates.
Our society is monstrously disjunctive, at once so efficient in war and so inefficient in caring for the welfare of its members. It is frightening to see people rooting in garbage pails on streets, living in cardboard crates under bridges, while their government wages war. Even when there is an emergency in a household, decent parents do not forget to feed the children.
Conscience is a creator of meaning. As a sense of constraint rooted in our emotional ties to one another, it prevents life from devolving into nothing but a long and essentially boring game of attempted dominance over our fellow human beings, and for every limitation conscience imposes on us, it gives us a moment of connectedness with an other, a bridge to someone or something outside of our often meaningless schemes.
Prayer is the bridge over which the Kingdom of God comes to the earth.
True art means if it helps you to become silent, still, joyous; if it gives you a celebration, if it makes you dance—whether anybody participates with you or not is irrelevant. If it becomes a bridge between you and God, that is true art. If it becomes a meditation, that is true art. If you become absorbed in it, so utterly absorbed that the ego disappears, that is true art.
On Waterloo Bridge where we said our goodbyes, the weather conditions bring tears to my eyes. I wipe them away with a black woolly glove And try not to notice I've fallen in love On Waterloo Bridge I am trying to think: This is nothing. you're high on the charm and the drink. But the juke-box inside me is playing a song That says something different. And when was it wrong? On Waterloo Bridge with the wind in my hair I am tempted to skip. You're a fool. I don't care. the head does its best but the heart is the boss- I admit it before I am halfway across
Some split between the inner world and outer world is common to all behaviour, and the need to bridge the gap is the source of creative behaviour.
Can God be counted on? Count blessings and find out how many of His bridges have already held.
It seems that the most fearful people in our country are those who don't travel and are metaphorically barricaded in America. If we all stayed home and built more walls and fewer bridges between us and the rest of the world, eventually we would have something to actually be fearful of.
Laughter is a holy thing. It is as sacred as music and silence and solemnity, maybe more sacred. Laughter is like a prayer, like a bridge over which creatures tiptoe to meet each other. Laughter is like mercy; it heals. When you can laugh at yourself, you are free.
Many native cultures believe that the heart is the bridge between Father Sky and Mother Earth. For these traditions, the 'four-chambered heart,' the source for sustaining emotional and spiritual health, is described as being full, open, clear, and strong. These traditions feel that it is important to check the condition of the four-chambered heart daily, asking: 'Am I full-hearted, open-hearted, clear-hearted, and strong-hearted?'
Poetry is the special medium of spiritual crazy wisdom, the form of expression that comes closest to creating a bridge between words and what is wordless.
There is first of all the problem of the opening, namely, how to get us from where we are, which is, as yet, nowhere, to the far bank. It is a simple bridging problem, a problem of knocking together a bridge. People solve such problems every day. They solve them, and having solved them push on.
My idea to bridge the world together with music starting in Asia and going to the West is something that is new, untapped and leading to the future of bringing the worlds together.
The people of America are red, white, black, yellow, and all the shades in between. Their eyes are blue, black, and brown, and all the shades in between. Their hair is straight, curly, kinky, and most of it in between. They are tall and short, slim and fat, athletic and anaemic, and most of them in between. They are the different peoples of the world becoming more and more the "in between." They are a people creating a new bridge of mankind in between the past of narrow nationalistic chauvinism and the horizon of a new mankind--a people of the world. Their face is the face of the future.
Language designed to impress builds a gulf. Language to express builds a bridge.
Love is the bridge that leads from the I sense to the We, and there is a paradox about personal love. Love of another individual opens a new relation between the personality and the world. The lover responds in a new way to nature and may even write poetry. Love is affirmation; it motivates the yes responses and the sense of wider communication. Love casts out fear, and in the security of this togetherness we find contentment, courage. We no longer fear the age-old haunting questions: "Who am I?" "Why am I?" "Where am I going?" - and having cast out fear, we can be honest and charitable.
Run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
There are mythic patterns under all of our lives. Each one of us, often unbeknownst to ourselves, is engaged in a drama of soul that is not reserved only for gods, heroes, and saints. Story is one bridge between the human realm and the divine.
Breathing is important in the practice of meditation because it is the faculty in us that is simultaneously voluntary and involuntary. You can feel that you are breathing, and equally you can feel that it is breathing you. So it is a sort of bridge between the voluntary world and the involuntary world — a place where they are one.
When it comes to peace, we need to facilitate peace-makers' personal engagement and their genuine desire to bridge the gap between advocacy knowledge and skills necessary to differentiate between theory and practice in the field of conflict management.
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