In Los Angeles, individuality is very big, because people live in secluded bubbles. People don't walk around. They're very insular, and that allows for people to be whatever they want.
When I get up in the morning, I go and I work with beautiful women and charming men and funny comedians and dramatic artists. And I'm presented with costumes and great music to choose from and sets. I travel a certain amount of places, so I've been living in a bubble. And I like it.
When you go out to make something, you want it to be great. You need to put a bubble around that, so no one can get into the force field and change what you're setting out to make. That's all us being producers is doing, is allowing our power to protect the integrity of what you're doing.
Asset bubbles have happened even without not-so-easy money. And, in a depressed economy, where alternative uses of money are not great, people are going to bid up the prices of profitable corporations and stuff like that.
America's cultural table is set by the people living in the three bubbles - New York Washington D.C. and Hollywood.
There's a lot of us who do not accept the culture of the bubbles.
The late 90s were crazy science-fictional if you were inside the superheated steam bubble of the dot-com 1.0 industry.
I'm listening to Gogol Bordello, which is totally random, but I love him. Just finished the new Joan Didion book, Blue Nights, which I loved. I haven't been to the movies in God knows how long. I haven't been doing anything but living in a bubble, making jewelry!
I procrastinate, but mostly because there's always too many things to do, and I got the stew in my mind that things do bubble up, so I'll throw things in there and let them stew around. It's sort of like greasing the squeaky wheels in my own brain.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
There is a time in science when it's too early to attack a problem. The stuff has to bubble a bit more and you have to be able to have the foundation on which to stand.
I love the theater of the mind because you can go anywhere. You can say anything, and you pull people in. [You] can be jumping out of a window or riding a cow or having bubble-wrap sex or spraying your body with Pam and sliding out of your chair.
This tennis world, this tennis community, is very much a bubble, and it's very easy to get lost in here. You know, there is a real world out there still.
People really get myopic as they get older. We're not a culture that encourages dreaming or distraction. We're not ever good at just being. I remember reading some Adrienne Rich quote where she talks about how important it was just to watch bubbles rise in a glass.
There were a couple of instances where what I'm thinking during sex was relevant, so I might as well show myself having sex. I could have gone from a shot of the bed to just showing the ceiling and my thought bubble. Or maybe just show the feet.
A global financial cabal engineered a fraudulent housing and debt bubble [2008], illegally shifted vast amounts of capital out of the US; and used 'privatization' as a form of piracy - a pretext to move government assets to private investors at below-market prices and then shift private liabilities back to government at no cost to the private liability holder Clearly, there was a global financial coup d'etat underway.
Take three conscious breaths. Just pause. Let it be a contrast to being all caught up. Let it be like popping a bubble. Let it be just a moment in time, and then go on. Maybe you are on your way to whatever you need to do for the day. You are in your car, or on the bus, or standing in line. But you can still create that gap by taking three conscious breaths and being right there with the immediacy of your experience, right there with whatever you are seeing, with whatever you are doing, with whatever you are feeling.
For us, whether the market is skewed from a bubble perspective or not really is mitigated by staying focused on what we do best.
I can understand the dilemma of growing up in a bubble, and then not knowing what to do when unemployment beckons and reality bursts in.
Maybe that's what happens with age, I thought. All your life you force yourself to forget people who have hurt you, but as you get older and weaker their memory surfaces again, like a bubble in the water. You have to surrender, because you feel to tired to fight it and push it down again. And maybe, unexpectedly, you find out that instead, of revamping your anger, those memories produce an unexpected sweetness.
My ability to notice that kind of thing, the sanctity of the bubble that you create, has not been so good in a way, in that I notice it concurrently with actually doing the thing. I always notice it in retrospect.
I think there is a risk that the Holocaust will be placed under a glass bubble just like the Napoleonic Wars or the Thirty Years' War. If you don't make the connection between memories of past atrocities and the present, there isn't any point to it. There are plenty of horrible things happening today in Germany and in the rest of the world.
It's important to keep up with technology, to constantly move with it. Striving to do so keeps me alert and creates a sense of fluidity but at the same time I like to distance myself from it. It's key for my process to try and remain outside the bubble.
Religion is an illusion and every illusion has the inevitable destiny of a soap bubble!
That's our mirror. Every dip, every crash, every bubble that's burst, a testament to our brilliant stupidity. This one gave us the railroads. This one the Internet. This one the slave trade. And if we hope to do anything about saving the environment, or getting to other worlds, we'll need a bubble for that too. Everything I've ever done in my life worth anything has been done in a bubble: in a state of extreme hope and trust and stupidity.
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