Vikings don't have faults, they have clubs.
Book clubs are the best thing that has happened to the world of publishing.
Fox News reported Thursday that Bill Clinton can't get into any of New York's better golf and country clubs. Not one member has been willing to sponsor him. So it's official, he really is America's first black president.
I expect to play golf until I am 90-even longer if anybody figures out a way to swing a club from a rocking chair.
It was funny to be an emcee, because you're so at the mercy of the club. You can show up for the weekend hoping to get the $400 - and get fired. I had to prank whoever they told me to prank.
Some critics could argue that club or fun pop-y dance music isn't meaningful, when it totally is. All different types of music are meaningful depending on what people are going through in their lives at any given moment.
There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.
When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.
I quickly decided my zombies weren't really zombies. It was instead something you called people who were on this club drug, who then exhibited aggressive behaviors. And then like everyone who writes about zombies, I found it was so much fun.
I think the big turning moment was when I joined the student political action club and started studying nonviolent civil disobedience in response to the Iraq War. The first anti-Bush protest in Atlanta was the first protest that I'd ever been to, and I helped organize the school walkout when I was a junior. It was a really solidifying moment.
What you create when you're teaching fiction writing is a kind of literary salon, not a social club or a mutual admiration society, not a debating society, not a repair shop, not a fight club or a soap box. It's a place to have a conversation about a story.
I've always just liked writing poetry, but it's much later that I've discovered that there's this whole poetry world out there, that you almost have to be accepted into, like this little club.
There are a variety of groups, Human Rights Campaign, Planned Parenthood, NARAL, Sierra Club, that are groups that do very good work, that do a lot of things that I personally believe in, that are also as a descriptive matter they`re part of what you`re going to call an establishment in Washington of the sort of center-left probably, Center for American Progress. They are part of it.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
Within the context of the clubs, and perhaps the sex business as a whole, the issue of race becomes very complicated because you can't force someone to pay for something - or someone - that they don't want, whether their desire - or lack thereof - is motivated by racism or not.
Different types of sex work are differently supportive. If I were working in a strip club, I would be competing with my colleagues, and while there would be support, there would be financial motivation not to offer too much support.
I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.
It's something we do every week. Every week kind of has bigger name headliners. It's all just our taste. There's a lot of people like Ian Edwards or Dan Mintz who a lot of people haven't heard of yet, but we know are really great. When we started the show five years ago it wasn't because Patton Oswalt needs another place to play. It was because we had a lot of new friends like BJ Novak or Morgan Murphy, who didn't have any club to play.
Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club [1996]: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy."
It's interesting because First Wives Club was the first movie that made a shitload of money that starred all women over a certain age. That was a milestone that made you think, "Oh, things are going to change."
It's interesting because when David Fincher was making "Fight Club," he said, "It's a romance." And it really is. Almost everything I ever write is just a romance. And that needed to be sort of pointed up at the end of "Fight Club." The film has a very different ending than the book does.
There is a social contract in "Fight Club" and in "Choke" where the protagonist has deceived a whole bunch of people. In "Choke" it's all of these people who think that they've saved his life, and really care about him because they've embraced him and they've been his saviors. In "Fight Club" it's all of these people who are dying of various diseases, and they thought that Edward Norton was also dying so they allowed him really strong pent-up emotions.
Mostly you don't want to make people feel bad because they carry that with them for the rest of their lives. I've found that. I hurt people on Celebrity Fit Club by being too honest. People loved it, but I was serious. I just hate phony baloneys. I can't do it anymore. I told them no. My tongue is too sharp. It was brutal.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: