There is a constant and intimate contact among the things that coexist and co-evolve in the universe - a sharing of bonds and messages that makes reality into a stupendous network of interaction and communication.
I tend to integrate poet and scholar is by ironizing the scholarship. My hope is to disturb that space between the two so they can coexist in a kind of mutual uncertainty.
That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.
Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
Predators and prey always coexist. That's why we have galleries as well as photographers.
Love is sunshine, music, nature, my puppies, my boyfriend, my parents, my siblings, my true friends. It's a connection that allows us to coexist on this planet.
The truth is that fear cannot coexist with love. Therefore, we must learn how to dissolve all boundaries with love by taking responsibility for our own energy. In doing so, we'll raise the energy around us.
I feel like it's not so much a tradition as a system that has been codified over the centuries starting in the Renaissance that applies to any painted surface. So if you're engaging in paintings, this is the language that one has to learn and is obliged to speak. I was very fortunate that I learned this language when I was a kid before I went to California, where I learned the language of attitude. Somehow the two things began to coexist.
To be treaty person means coexist in peace and with mutual respect. That's at the core of these treaties. They intended for us to mutually benefit from sharing the land and its resources. To us, this contract and agreement is a sacred covenant whose signing was witnessed by your God, we call him the Creator, and by your angels, we call them ancestors. You can't break that. We didn't just sign it one day. It took months to prepare, to plan, to seek guidance.
In India you would find people who belong to the 10 richest people in the entire world, and you would find people whose poverty levels are sub-Saharan in fact practically: people who would probably make less than a dollar a day or would only have enough for one meal. Now, to have these kinds of contrasts coexist, is something which boggles my mind. We have a country that is making great economic progress, a country that is making his presence felt all over the world, but at the same time, it is unable to deal with some of these fundamental contradictions in our economic evolution.
Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.
The mobility of the eye is such a fundamental treasure that we have, and that coexists with sensation. On the dance floor, you are totally in reality, while also experiencing this dream imagery of changing colors and wet surfaces of skin. Sometimes it's the shadow outline in the strobe light, and in another moment it's the closeup of an armpit that you're looking into. I'm not photographing all the time, but it's something that I actually see all the time, and not just on the dance floor.
I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
The moment you become aware of the ego in you, it is strictly speaking no longer the ego, but just an old, conditioned mind-pattern. Ego implies unawareness. Awareness and ego cannot coexist.
With what moral authority can they speak of human rights - the rulers of a nation in which the millionaire and beggar coexist; the Indian is exterminated; the black man is discriminated against; the woman is prostituted; and the great masses of Chicanos, Puerto Ricans, and Latin Americans are scorned, exploited, and humiliated? How can they do this - the bosses of an empire where the mafia, gambling, and child prostitution are imposed; where the CIA organizes plans of global subversion and espionage, and the Pentagon creates neutron bombs capable of preserving material assets and wiping out human beings.
People of dua are optimistic by definition. They know that dua and thoughts like 'unlikely' or 'impossible' don't coexist.
What we think of as physical reality is an intermingling of appropriate realities, a fluid massive consciousness in which each of us exists independently of each other and yet coexists interdependently with each other.
What has happened to our ability to dwell in the unknowing, to live inside a question and coexist with the tensions of uncertainty? Where is our willingness to incubate pain and let it birth something new? What has happened to patient unfolding, to endurance? These things are what form the ground of waiting.
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